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EAT MY GLOBE

ONE YEAR TO GO EVERYWHERE AND EAT EVERYTHING

A wry, insightful and pragmatic memoir that will have fearless foodies drooling.

The meticulous gastronomic diary of an avid food blogger who spent a year savoring local specialties in 30 countries.

Not every culinary critic is also a gifted travel writer, but Majumdar—who inherited a boundless passion for food from his Welsh mother and Bengali father—invests this account with as many nuanced observations of places and people as evocative descriptions of the spices, cooking methods, aromas and tastes he encountered on his journey. Taking readers from Irish dairies and New York delis to a Sicilian café and an Argentinean steak house, the author is neither bad-boy kitchen warrior seeking the most eccentric dishes on the planet nor wide-eyed newbie airbrushing the flaws from his portraits of far-flung lands. Anchored by candid ruminations on childhood and possible motives for his adventure at the threshold of middle age, the book is as much an investigation of universal themes—heritage, self-identity, culinary traditions—as it is an encyclopedic international feast. Spiked with countless mordant gems (“pancetta that looked like Jackson Pollock had heaved on the plate”; “vegetables so mushy I wanted to look in the kitchen to see if the old cook from my elementary school had been flown in especially for the occasion”), Majumdar's logs foster more than transnational understanding via samplings of home-cured elk, street-vendor rice balls or fish fritters. The cultural cross-pollination in sharing a boiled sheep's head in Iceland or fried taro chips in China is rooted in his back story. While eating with a Finnish family, he reflects, “I had not really spent that much time with my own mother cooking. The kitchen was her domain and I just enjoyed the end results. Now that she's gone, I have added it to the long list of regrets.”

A wry, insightful and pragmatic memoir that will have fearless foodies drooling.

Pub Date: May 19, 2009

ISBN: 978-1-4165-7602-0

Page Count: 320

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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