Paced like a television police procedural, with flashes of epiphany, false leads, and race-against-time dangers, this...
Sherlock Holmes, if Holmes were a biracial, at-risk, 16-year-old slacker—a genius stoner who consorts with burglars and homeless dropouts.
Garvie is many things: a math whiz and certified genius with a photographic memory; a layabout who rarely goes to class; a smartarse; "a rational thinker, precise and unsentimental." His friends call him Sherlock and Puzzle Boy. He's also the ex-boyfriend of Chloe Dow, a violet-eyed, busty, charismatic, unpopular—and now dead—blonde white girl. Chloe's murder knocks Garvie out of his bored semistupor. Despite his mother's threats to move the family to her native Barbados, Garvie throws himself into the investigation with all his reckless brilliance. Detective Inspector Singh, the Sikh police officer investigating Chloe's murder, is torn between exasperation and reluctant gratitude for the boy's Holmes-ian deductions. Garvie ponders seemingly unrelated clues—a black Porsche, a shopping list, ugly lime-green–and-orange running shoes—and puts together a disturbing story of victimization. Girls and women in Garvie's world seem mostly to be ineffectual, oversexed, or victims of violent and sexually predatory men. Meanwhile, though Garvie himself is a welcome mixed-race detective, several of the other characters are drawn with stale, albeit affectionate stereotypes.
Paced like a television police procedural, with flashes of epiphany, false leads, and race-against-time dangers, this satisfying whodunit overcomes its characterization shortcomings. (Mystery. 13-15)Pub Date: Aug. 30, 2016
ISBN: 978-1-338-03642-8
Page Count: 432
Publisher: David Fickling/Scholastic
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A solid cast and heartfelt emotions lift this above its contrivances
"Dad thinks if you have a kid, you should pay child support. Paying for them is the law, but spending time with them isn't."
That's what aspiring journalist Ricki writes her first day riding shotgun with her bounty-hunter father. It's the first time in her life she's spent appreciable time with him, so she writes from the heart. They are only together because her feckless mother has taken off—again—and her grandmother got tired of putting her up. She used to tell herself stories of the exciting life her father led, inventing a mythology to explain his absence, but it turns out, he's just been a jerk. Bail-bond enforcement is a lot duller than reality TV suggests, but the adrenaline starts flowing when Ricki strikes up a conversation with "skip" Ian, who has jumped bail on a grand theft auto count. In seemingly no time, the charismatic teen has slipped his cuffs and stolen Ricki's dad's truck. The ensuing caper is a gentle one, a road trip calculated to give Ricki time to get to know her dad and achieve an understanding of herself and her family. She is an appealingly vulnerable character, her anger at both parents and her love for her mother both genuine and leading to completely believable choices, however wrongheaded.
A solid cast and heartfelt emotions lift this above its contrivances . (Fiction. 13-15)Pub Date: Oct. 2, 2012
ISBN: 978-0-8050-9391-9
Page Count: 240
Publisher: Henry Holt
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
Rushed but lush, with a nice touch of Victorian post-humanism for an original twist
The prize for saving the world is having to do it all over again in this companion to the steampunk romance The Unnaturalists (2012).
Syrus, Vespa, Olivia and Bayne are trying to rebuild their empire after destroying the Creeping Waste. Empress Olivia rules her fractured people of humans and Elementals from a ramshackle warehouse, while her devoted admirer, the Tinker Syrus, tries unsuccessfully to repair it. The magic users Bayne and Vespa try to help, even as they dance around their own romantic tensions. New villains threaten the fragile peace. From within, they’re challenged by Bayne’s estranged, noble parents, who may well be ignoring Olivia’s edict and using myth distilled from murdered Elementals to power their engines. From without, an ancient and legendary evil threatens: Ximu, Queen of the Shadowspiders. In interleaved chapters told from Syrus’ present-tense, first-person perspective alternating with Vespa’s past-tense, third-person point of view, the adventure unfolds with jumpy pacing but luscious worldbuilding. Nineteenth-century science has become religion in this fairyland full of airships and clockwork beasties. There are clear missed opportunities here: “What in the name of Darwin and all his Apes” is the point of bringing in such a famous eccentric as Nikola Tesla—famous for a hatred of round objects and an obsession with the number three—if only to portray him just as a generic genius?
Rushed but lush, with a nice touch of Victorian post-humanism for an original twist . (Steampunk. 13-15)Pub Date: Feb. 11, 2014
ISBN: 978-1-4424-5759-1
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Nov. 26, 2013
Kirkus Reviews Issue: Dec. 15, 2013
BOOK REVIEW
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