The almost-dystopian setting of post-flood Aberdeen makes a beautifully surreal setting, even if Keeley's journey can't...
When disaster strikes a working-class town, the class clown learns her coping mechanisms don't help anyone.
Keeley is completely psyched for her senior year in tiny, largely white Aberdeen. Unfortunately, after a spring so cold and wet that kids are wearing thermals and winter coats in May, the river floods, destroying many homes and closing the high school for good. As the worst of the floodwaters recede but the rains don't stop, the mayor and governor encourage the locals to abandon the town, offering hefty insurance payouts. Keeley's dad thinks the governor (who plans a profitable dam) intentionally keeps the town in poor repair. Maybe the conspiracy is real, but in a town of boarded-up shopfronts and saturated homes, what options does anyone have? Keeley, a jokester who always takes every joke that one step too far, ramps up her high jinks to distract her glum friends. Through a post-evacuation frame story and a seemingly endless collection of hinted-at mysteries, unreliable narrator Keeley escalates her increasingly bad behavior, alienating her best friend. The buildup is lovely, but the payoff of Keeley's growth comes both too late and too suddenly, happening all at once as Aberdeen's clock winds down. Nonetheless, it’s a richly layered portrayal of bad boys, girl pranksters, even conspiracies.
The almost-dystopian setting of post-flood Aberdeen makes a beautifully surreal setting, even if Keeley's journey can't quite carry the narrative . (Fiction. 13-16)Pub Date: April 26, 2016
ISBN: 978-1-4814-5229-8
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: Feb. 1, 2016
Kirkus Reviews Issue: Feb. 15, 2016
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
Skip this uninspired entry into the world of medieval love and court intrigue.
In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.
The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.
Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)Pub Date: May 5, 2020
ISBN: 978-0-06-229163-9
Page Count: 320
Publisher: HarperTeen
Review Posted Online: Feb. 4, 2020
Kirkus Reviews Issue: March 1, 2020
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