As accomplished and intelligent as the author’s fiction—which is saying a lot.
Engaging collection of literary and personal essays, most previously published, from novelist Hustvedt (What I Loved, 2003, etc.).
The author’s single most impressive skill, evident in all the best pieces here, is the way she uses autobiography to illuminate more general points. In “Yonder,” which opens the volume, Hustvedt illustrates the importance of place in our imaginative lives with examples from her experiences as a Midwestern girl who spent considerable time in Norway (her mother’s native country) and who has now lived in New York for 27 years. The tender, wickedly funny “Living with Strangers” and the moving “9/11, or One Year Later” pay tribute to her adopted home by recalling some of the personal encounters that have shaped her delight in “the city of immigrants, of pluralism, and of tolerance.” The latter essay will strike a particular chord with all New Yorkers, as it evokes the intimate nature of their confrontation with the World Trade Center tragedy: “For weeks afterward, the first question we asked friends and neighbors…was: ‘Is your family all right? Did you lose anybody?’ ” She also draws on her life to buttress her argument in “A Plea for Eros” that “to pretend that ambiguity doesn’t exist in sexual relations is just plain stupid.” Hustvedt’s use of autobiographical material is so delicate and judicious that it never seems self-aggrandizing; it works just as well in literary essays like “Gatsby’s Glasses” or “Charles Dickens and the Morbid Fragment” as in the more journalistic entries. Her prose is elegant yet down-to-earth, in keeping with the democratic sympathies and substantive intellectual interests she displays throughout. Though the collection spans a decade (1995–2005), it is unified by the author’s voice: so direct and appealing that many readers will hope to one day bump into Hustvedt on the sidewalks of the Brooklyn neighborhood she lovingly describes in several pieces.
As accomplished and intelligent as the author’s fiction—which is saying a lot.Pub Date: Jan. 2, 2006
ISBN: 0-312-42553-8
Page Count: 240
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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