A gripping, harrowing adventure tale propelled by a complex, mythology-inflected plot.
A young woman must stop a plague of beasts that threatens civilization in this fantasy debut.
Ri is torn from life in her island village by the Culling, a mysterious horde of creatures that descend on human settlements and kill everyone they can find. She’s rescued by Bryce, a young healer who possesses the eponymous ability to enter waterfalls in one area of the world and emerge in a completely different one. They wind up in Black Valley, a city filled with destitution and ruled by a shadowy tyrant. As Ri strives to return home to her ailing adoptive father, Samuel, she, Bryce, and other traveling companions journey through abandoned temples, encounter spirits, and battle a variety of terrifying monsters. As Ri learns more about her fellow travelers and wrestles with her romantic feelings for two of them, she realizes that the Culling is a symptom of a deeper ill with global implications—one whose cause is deeply intertwined with the three gods who hold sway over the land (Fate, Death, and Eisanea) and her new acquaintances, including Samuel himself. Lem cleverly intersperses these revelations throughout the story, providing tantalizing plot twists and action scenes in tight, forceful prose. Some scenes aren’t for the faint of heart: characters die in gory detail (evisceration, stabbing, getting their soul sucked out); the gods seem uncaring and sometimes downright malicious; and the survivors struggle through vast, desolate wastelands—deserts, dark forests, and storm-tossed seas—that are exhausting even to read about. The characters’ pasts don’t offer up much solace either; like the landscapes, they’re filled mostly with despair. But although the story can dwell a bit too much on the ennobling power of suffering, the cast’s varied motivations, desires, and personalities are vividly sketched out, illustrating just how far they’re willing to go for their loved ones. Meanwhile, hints of humor and self-awareness leaven the story’s melodramatic tendencies.
A gripping, harrowing adventure tale propelled by a complex, mythology-inflected plot.Pub Date: April 17, 2017
ISBN: 978-0-9986129-0-4
Page Count: 468
Publisher: Carpe Noctem Publishing
Review Posted Online: March 27, 2017
Kirkus Reviews Issue: May 1, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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