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GREEN LAKE

Summertime in that bucolic retreat, Green Lake, Kansas, and the living is easy—if you don't mind the assortment of perverts and grotesques that Epperson left out of The Neighborhood (1995). Reeling from the suicide of her husband, anthropology professor Madeleine Heron accepts her sister Jacqueline's offer of a cabin in Green Lake. The nearest neighbors, Sherman and Gudrun Tanner, like to dig in their yard (and other people's) so much that Jacqueline calls them Earthworm and Mole Woman. A little further off, there's unemployed Ronnie Lyman, who's just dropped his youngest daughter off at his mother's so he and his wife can pretend she's been kidnapped and angle for publicity and sympathy cash. Of course Madeleine can't forget Bruce Beckworth, the good old boy whose determined advances have to be beaten back by conservation officer Dale Russell, whose smooth good looks and political connections (his aunt is governor of Kansas) would make him a great catch if he weren't a murderous child molester. So there's nobody left for Madeleine, ``dying of boredom and anxiety,'' to take up with but Dale's fellow-officer, Eris Renard, a scarred Sauk-Fox Indian she somehow kindles a romance with despite her diffidence and his sullen reserve. Eris has been looking for years for the birth mother who put him up for adoption, and he finds her just as his affair with Madeleine is at its steamiest. Naturally, she turns out to be just another threat to her peace of mind—a wealthy, possessive artist who wants Eris to come and live with her in Santa Fe and isn't crazy about his fling with a white woman. This volatile cargo of creeps mostly broods on their injuries and resolves to avenge them; the final tally will be five fatalities, no arrests. Even so, Epperson's seventh formula thriller is atypically sunny, with only scattered clouds and little real menace to the heroine. The rest of the cast is too busy killing each other off.

Pub Date: Aug. 12, 1996

ISBN: 1-55611-493-1

Page Count: 288

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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