by Sloane Crosley ‧ RELEASE DATE: June 15, 2010
Confirmation of the promise shown in the author’s bestselling debut.
A worthy successor to Crosley’s well-received debut, I Was Told There’d Be Cake (2008).
Where her first collection focused on a young professional’s life in Manhattan, this follow-up finds the author—whose day job as a book publicist is rarely mentioned—taking her show on the road. She gets lost in Lisbon (actually, she gets lost pretty much everywhere), threatened by a bear in Alaska and all but deported from France—or at least discouraged from ever again visiting Notre Dame. Most of the book is funny, some of it even laugh-out-loud, but her literary gifts go well beyond easy laughs. The humor flows naturally and subtly from characters and situations, as if these were real-life short stories. “An Abbreviated Catalog of Tongues,” which initially seems to be a perfunctory pet essay, yet turns revelatory in a number of directions, addressing everything from sibling relationships to her parents’ religion. “[M]y parents are not big believers in God,” she writes. “Or, rather, they believe in him partially. Which is tricky. It’s like being kind of pregnant or only mostly dead. You’re either in or you’re out.” Perhaps the finest essay is the final one, “Off the Back of a Truck,” a clever, challenging piece from which the book takes its title. Initially about wanting what you can’t afford, it transforms into an exploration of receiving what you want that you can’t afford, through means that you’re only partially willing to admit are pretty shady. Ultimately, though, it becomes a meditation on a romance that forces Crosley to come to terms with a truth she’d suspected and the lie she was living. It’s the least humorous of the collection, but the most unflinchingly true.
Confirmation of the promise shown in the author’s bestselling debut.Pub Date: June 15, 2010
ISBN: 978-1-59448-759-0
Page Count: 256
Publisher: Riverhead
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: April 1, 2010
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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