Cheerless but memorable; an update of Knut Hamsun and Ole Rölvaag with more whispers than cries.

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NIKOLAI’S FORTUNE

A brooding, often beautiful tale of life in the Far North and the immigrant experience.

A former journalist, the author knows how to work a source and analyze the data, but family stories are another matter, particularly in a family of abundant secrets. Her kin were bound together, she writes, “by an unacknowledged credo: if a thing remains unspoken, it does not exist; if pain is given no voice, it lacks power to harm.” Both principles are at work in Torvik’s first novel—billed as fiction, it seems, only because certain liberties have been taken when the facts have not been available. The hinge of the story is great-grandpa Nikolai, who, much to the chagrin of these status-conscious Norwegians, hails from Finland. “Being a Finn was shameful, I knew, though it wasn’t clear why,” the author comments, and Nikolai lives up to this perception by leaving his wife and unborn daughter behind to go off to America to make a fortune that became the stuff of legend. Not everyone back home shares his certainty that great riches are to be found along the salmon-heavy Columbia River, but they’re all interested, especially because so many live in grinding poverty. Suspicious of each other as much as of outsiders, the close-lipped clan keeps its secrets. “Most people don’t ask,” says Berit, whose story forms the middle section of the three-part narrative. “They don’t want to hear the truth. They can’t bear to hear it.” The taciturnity serves the family well under the Nazi occupation of Norway, but nagging uncertainty over Nikolai’s disappearing act, and whether he indeed became rich, provides the occasion for a parallel journey, as Torvik’s parents emigrate to the United States, leaving it to her to sort out how to become an American teenager and to reckon with the unsettling discoveries she makes in a new land.

Cheerless but memorable; an update of Knut Hamsun and Ole Rölvaag with more whispers than cries.

Pub Date: March 1, 2006

ISBN: 0-295-98563-1

Page Count: 304

Publisher: Univ. of Washington

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2006

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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