The book effectively suggests that the term “rat race” may no longer be applicable to urban job life, but its audience is...

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DUCK GETS A JOB

A hip-looking white duck with a bandanna and blue ankle boots tries to find a job he will enjoy.

Duck looks for a city job despite the dull-seeming descriptions he reads in the job ads. After snagging an interview, his next task is to assemble his interview suit: a black hat and an attaché case. After small mishaps on the way, he is interviewed by a faceless white man (Mr. Boss) and gets the position. In his cubicle, surrounded by white humans, he is bored into slumber by spreadsheets. Leaving that job, he decides to become an artist. (Is this autobiographical?) This time, a black woman, wearing jeans and the same blue ankle boots as Duck, interviews him. He finally finds his niche at Creative Magazine and happily commutes, via skateboard! The text is short, in keeping with early-elementary attention spans, though the theme seems better suited to millennials than little kids. The posterlike mixed-media illustrations are droll, but the limited palette, relying on blues, browns, white, and black, likewise has a very mature look. Visual jokes add interest (inclusion of ducks in famous paintings is amusing), but the adults sharing this with children seem to be the appropriate audience. Still, the important message here is that the creative life is a great choice.

The book effectively suggests that the term “rat race” may no longer be applicable to urban job life, but its audience is uncertain. (Picture book. 4-6)

Pub Date: June 12, 2018

ISBN: 978-0-7636-9896-6

Page Count: 32

Publisher: Templar/Candlewick

Review Posted Online: March 18, 2018

Kirkus Reviews Issue: April 1, 2018

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A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...

RUBY FINDS A WORRY

Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings . (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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An unfortunately simplistic delivery of a well-intentioned message.

I'LL WALK WITH YOU

Drawing on lyrics from her Mormon children’s hymn of the same title, Pearson explores diversity and acceptance in a more secular context.

Addressing people of varying ages, races, origins, and abilities in forced rhymes that omit the original version’s references to Jesus, various speakers describe how they—unlike “some people”—will “show [their] love for” their fellow humans. “If you don’t talk as most people do / some people talk and laugh at you,” a child tells a tongue-tied classmate. “But I won’t! / I won’t! / I’ll talk with you / and giggle too. / That’s how I’ll show my love for you.” Unfortunately, many speakers’ actions feel vague and rather patronizing even as they aim to include and reassure. “I know you bring such interesting things,” a wheelchair user says, welcoming a family “born far, far away” who arrives at the airport; the adults wear Islamic clothing. As pink- and brown-skinned worshipers join a solitary brown-skinned person who somehow “[doesn’t] pray as some people pray” on a church pew, a smiling, pink-skinned worshiper’s declaration that “we’re all, I see, one family” raises echoes of the problematic assertion, “I don’t see color.” The speakers’ exclamations of “But I won’t!” after noting others’ prejudiced behavior reads more as self-congratulation than promise of inclusion. Sanders’ geometric, doll-like human figures are cheery but stiff, and the text’s bold, uppercase typeface switches jarringly to cursive for the refrain, “That’s how I’ll show my love for you.” Characters’ complexions include paper-white, yellow, pink, and brown.

An unfortunately simplistic delivery of a well-intentioned message. (Picture book. 4-6)

Pub Date: March 17, 2020

ISBN: 978-1-4236-5395-0

Page Count: 32

Publisher: Gibbs Smith

Review Posted Online: Jan. 21, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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