PLB 0-06-028386-6 In a story based on real events, and told in poems, Sones explores what happened and how she reacted when her adored older sister suddenly began screaming and hearing voices in her head, and was ultimately hospitalized. Individually, the poems appear simple and unremarkable, snapshot portraits of two sisters, a family, unfaithful friends, and a sweet first love. Collected, they take on life and movement, the individual frames of a movie that in the unspooling become animated, telling a compelling tale and presenting a painful passage through young adolescence. The form, a story-in-poems, fits the story remarkably well, spotlighting the musings of the 13-year-old narrator, and pinpointing the emotions powerfully. She copes with friends who snub her, worries that she, too, will go mad, and watches her sister’s slow recovery. To a budding genre that includes Karen Hesse’s Out of the Dust (1997) and Virginia Euwer Wolff’s Make Lemonade (1993), this book is a welcome addition. (Poetry. 10-14)
Pub Date: Oct. 31, 1999
ISBN: 0-06-028387-4
Page Count: 220
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
Revisiting characters from The Cook’s Family (1998), Yep again explores personal and cultural conflicts arising between the generations in a Chinese-American family. Suddenly saddled with caring for four younger siblings after a wealthy businessman hires her widowed mother as a governess—or amah—for his daughter, Stephanie, Amy Chin is forced to miss several ballet rehearsals for Cinderella, to listen to glowing accounts of Stephanie’s sophistication, and to accept expensive clothing and other gifts from her. While gaining new insight into how Cinderella’s stepsisters must have felt, Amy’s understandable resentment is compounded by the news that Stephanie will be moving in while her father is away on a trip. Yep builds that feeling to fever pitch, then dispels it by casting Stephanie as a lonely child hurt by one parent’s death and the other’s neglect; becoming friends, Stephanie and Amy clear the air and mend some fences with their well-meaning parents in a climactic face-off. The characters, most of them familiar from previous appearances, are distinct if not particularly complex, the San Francisco setting is vividly drawn, and the issues are laid out in plain terms and tidily resolved. It’s formulaic, but not entirely superficial. (Fiction. 10-13)
Pub Date: June 1, 1999
ISBN: 0-399-23040-8
Page Count: 184
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1999
BOOK REVIEW
BOOK REVIEW
PLB 0-7868-2427-1 The content and concerns of Levy’s latest is at odds with the young reading level and large type size, which may prevent this novel’s natural audience of middle schoolers from finding a fast and funny read. In sixth grade, Rebecca broke her friend Scott’s toe at a dance. Now, in seventh grade, they are partners in a ballroom dance class, and they soon find they dance well together, but that makes Rebecca’s friend Samantha jealous. She gives a party during which spin-the-bottle is played, kissing Scott and then bullying him into being her boyfriend. While Rebecca deals with her mixed feelings about all this, she also has a crush on her dance instructor. Levy (My Life as a Fifth-Grade Comedian, 1997, etc.) has great comedic timing and writes with a depth of feeling to make early adolescent romantic travails engaging; she also comes through on the equally difficult feat of making ballroom dancing appealing to young teens. The obsession with kissing, pre-sexual tension, and sensuality of the dancing will be off-putting or engrossing, depending entirely on readers’ comfort levels with such conversations in real life as well as on the page. Precocious preteens will find that this humorously empathetic take on budding romance is just right. (Fiction. 10-12)
Pub Date: March 1, 2000
ISBN: 0-7868-0498-X
Page Count: 154
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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