A moving fictionalized account of Choi's last months as a child in Pyongyang under the brutal Japanese rule that oppressed Korea for more than 30 years before 1945, and her harrowing escape with her seven-year-old brother south across the 38th parallel. Choi describes the Japanese persecution in an even tone that makes it even more chilling: deliberate destruction of everything of value or beauty, even Grandfather's favorite pine tree; interdiction of religions other than Shinto and of the Korean language; indoctrination of children; systematic starving of the population; the forcing of young women to serve as ``spirit girls'' for the Japanese troops' pleasure. Despite all, Choi's family preserved dignity, familial love, and loyalty to their heritage. When the Russians arrived (not the hoped-for Americans), they proved less vicious but even more effective propagandists than the Japanese. Choi's father, who had spent the war in Manchuria, arranged an escape that was partially successful, even though their guide turned out to be a double agent: the two children, who had already demonstrated their intelligence and mettle, made their way on their own after their mother was detained (miraculously, she joined them later); other relatives left behind to cover for them were executed in retribution. A vividly written, compellingly authentic story that complements Yoko Watkins's fine So Far from the Bamboo Grove (1986), which details a Japanese family's suffering en route from Korea to Japan during the same period. (Fiction. 11+)*justify no*
Pub Date: Sept. 1, 1991
ISBN: 0-395-57419-6
Page Count: 144
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
A compelling ode to self-resurrection and Black sisterhood that finds much-needed light in the world’s darkness.
Two acclaimed, award-winning creators team up to present this moving, introspective poetry collection celebrating the possibilities of Black girlhood complemented by atmospheric mixed-media illustrations.
Showcasing varied poetic forms such as free verse and tanka, Watson reflects on coming of age as a Black girl in a society that habitually flattens Black experiences into easily digestible stereotypes. The opening poem, “Where I’m From,” is inspired by the work of Puerto Rican writer Willie Perdomo, and it peels back the layers of Watson’s identity, creating a harmonious alchemy of personal and cultural history that incorporates familiar touchstones and inheritances like “east coast hip-hop and island tradition.” Themes of resilience and perseverance are interwoven throughout, exploring how Black girls’ existence is often a testament to survival. Some poems contemplate the trauma that results from systemic racism and misogynoir; “A Pantoum for Breonna Taylor” notes how white supremacy weaponizes the basic necessity of rest: “Breonna, who reminded us that Black women / are not even safe in our sleep.” But Watson doesn’t dwell in despair; she finds safety in the healing power of love. Other poems, including “Lessons on Being a Sky Walker,” are rallying cries, encouraging Black girls to honor their roots and cherish their versatility. Watson’s reconstructions of childhood delights and teenage wounds examine the collision of race, gender, and class. Holmes’ tender, vibrant art enhances the poems.
A compelling ode to self-resurrection and Black sisterhood that finds much-needed light in the world’s darkness. (Poetry. 12-18)Pub Date: Feb. 13, 2024
ISBN: 9780593461709
Page Count: 96
Publisher: Kokila
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
PERSPECTIVES
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