Next book

AT CHILDHOOD'S END

From the Doctor Who series

A worthy adventure chock-full of menacing aliens and surprising insights for old fans and new.

Ace reunites with the Doctor to face her past and save the future.

As a teenager, Dorothy “Ace” McShane traveled through time and space, fighting alongside the Professor against evil and oppression. Now middle-aged, she runs A Charitable Earth, which assists communities left reeling after war. After a mysterious alien vessel appears, orbiting the moon, Dorothy returns to space and is reunited with the Professor’s newest incarnation—the exuberant (and female) Thirteenth Doctor—and meets her fam, Ryan, Yaz, and Graham. Uncovering a series of alien abductions, Dorothy faces her past and reclaims her risk-taking, adventure-seeking Ace persona. Unlike the TV series, the trust between Doctors and their companions is heavily discussed. What happens to those who are not valued by society, the impact of cycles of war and revenge, and the violence the Doctors’ companions inflict in his or her name are ongoing themes. The third-person narration offers insights into Ace’s adjustment to the new Doctor; likewise, it supports character development through the exploration of Yaz’s suspicion of and similarity to the tech-savvy Ace. The cast zips across the galaxy, fleeing threats from Ace’s past and a new, mysterious group whose disturbing technology threatens the future. While the finale is rather rushed, it’s worth a trip in the TARDIS to experience this nuanced view of the galaxy.  With few physical descriptions, characters’ ethnicity is difficult to determine.

A worthy adventure chock-full of menacing aliens and surprising insights for old fans and new. (Science fiction. 13-adult)

Pub Date: March 17, 2020

ISBN: 978-1-78594-499-4

Page Count: 352

Publisher: Penguin UK/Trafalgar

Review Posted Online: April 4, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 636


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 636


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Next book

ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

Close Quickview