Despite occasional heavy-handedness, Khan’s third novel is a complex and moving examination of, among other things, American...
A young girl straddles two cultures in 1970s Pakistan.
Aliya Shah is 11 years old. Her mother is Dutch, her father is Pakistani, and when Aliya was 5, her family moved from Europe to Islamabad, where her father now works for the country’s Water and Power Development Authority. Aliya goes to an American school with the children of diplomats and, presumably, spies. Her best friend is a blonde girl named Lizzy. Aliya exists between worlds; with her brown skin, she’s clearly set apart from her schoolmates, but at home, she can’t speak Urdu with Sadiq, the family’s servant. One night, Sadiq’s young son is hit and killed by a car, which then drives off. Over the next year, Aliya gradually begins to piece together what happened in the crash, including the identity of the driver. All of this is set against a complicated political background: it’s the 1970s; Bhutto has been deposed, and Gen. Zia has assumed leadership. Then, too, the hostage crisis in Iran, in which 52 Americans were held for 444 days, has taken over the news: suspicion of and resentment toward Americans, for their interference in the Middle East, is at a premium. Khan (Five Queen’s Road, 2009, etc.) writes with a lovely elegance; both her characters and the world they inhabit come vibrantly alive. Unfortunately, she has an occasional tendency to overexplain themes already implicit in the narrative. Her treatment of race, class, and American imperialism can feel heavy-handed in places. Still, overall the novel is a moving success and necessary at a time when many of the same concerns have come to dominate our national (and international) consciousness.
Despite occasional heavy-handedness, Khan’s third novel is a complex and moving examination of, among other things, American imperialism through the eyes of a young girl.Pub Date: Sept. 19, 2017
ISBN: 978-1503941571
Page Count: 268
Publisher: Little A
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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