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BANDIT QUEEN BOOGIE

Light and frothy but undeniably sweet: a pleasant excursion to nowhere, done up in high style at a brisk pace.

Thelma and Louise do Europe in Hayter’s (the Robin Hudson female detective series) witty account of two American girls who go wild on vacation and end up in big trouble.

Chloe Bowen and Blackie Maher just want to have some fun. Still smarting several weeks after being unceremoniously dumped by her boyfriend, college senior Chloe decides to snap herself out of the doldrums by going ahead with a long-planned summer vacation in Europe, taking her best friend Blackie with her instead of Mr. Ex. It turns out to be an inspired move: Chloe and Blackie have similar tastes in just about everything except men, so they manage to get along fine and never end up stealing each other’s heartthrobs. In fact, they soon discover that they’re natural-born con-girls, adept at spotting married philanderers in hotel bars, slipping them mickeys in their rooms, and robbing them blind once they’ve passed out. Like many careers, Chloe and Blackie’s excursion into crime begins by mistake, goes on as a curiosity, and soon develops into a smooth and lucrative routine. But you have to be careful when you pick your marks, and the girls make their first misstep when they roll an Australian gangster and end up in possession of a gold-plated statuette that’s been stolen from a Bombay mafioso. What’s inside it? We don’t know for sure, but soon the Aussie has been murdered by mob goons who then set off in pursuit of Chloe and Blackie. On top of that, it turns out that Chloe is the look-alike of an English aristocrat who has lately broken out of a Swiss rehab center and gone into hiding. They say travel is broadening, but Chloe and Blackie, if they can’t find their way home, may soon be flattened out by the experience.

Light and frothy but undeniably sweet: a pleasant excursion to nowhere, done up in high style at a brisk pace.

Pub Date: July 27, 2004

ISBN: 1-4000-4744-7

Page Count: 304

Publisher: Three Rivers/Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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