by Spencer Hyde ‧ RELEASE DATE: March 5, 2019
Thoughtful and thought-provoking.
While seeking treatment for mental illness in a psychiatric ward, a teen contemplates the meaning of life.
When her obsessive-compulsive disorder rituals become severe, 17-year-old Addie Foster must defer her senior year of high school to enter Seattle Regional Hospital’s psychiatric ward as an inpatient. Although her first-person account describes how her OCD manifests and some of her treatment plan, the focus is on her relationship with fellow patient Fitz, who suffers auditory hallucinations. An aspiring playwright, Addie becomes consumed with a homework assignment that questions Samuel Beckett’s Waiting for Godot. Issues with Fitz and the play converge as the two find fun with puns and other wordplay and notice how people are always acting and wearing masks, both on- and offstage. The story escalates when Fitz asks Addie to help him escape the hospital and find closure to a painful secret. In the process of connecting with Fitz, Addie not only begins to understand the waiting in Beckett’s play, but also life itself. This complex story of merging metaphors and symbolism is for sophisticated readers who prefer reflection to adventure. Debut novelist Hyde offsets the painful realities of mental illness with gentle surprises and such humor as Fitz’s naming his hallucinations after popular country singers. One patient is Mexican-American; the default for all other characters is white.
Thoughtful and thought-provoking. (Fiction. 13-18)Pub Date: March 5, 2019
ISBN: 978-1-62972-527-7
Page Count: 240
Publisher: Shadow Mountain
Review Posted Online: Dec. 8, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Spencer Hyde
by Elizabeth Acevedo ‧ RELEASE DATE: May 5, 2020
A standing ovation.
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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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by Elizabeth Acevedo ; illustrated by Andrea Pippins
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by Mahogany L. Browne & Elizabeth Acevedo & Olivia Gatwood ; illustrated by Theodore Taylor III
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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