Like Frankenstein, this novel creates something unique by stitching together odds and ends, then applying a few healthy...
Two street-smart alley cats steal the spotlight from Dr. Frankenstein and his creation in this amusing, imaginative take on the classic monster tale.
Wilson (Tucker’s Monster, 2010)—the writer behind a number of fantastical films, including Short Circuit (1986) and Tremors (1990)—paints a rich portrait of the German village of Dunkelhaven circa 1810. The guides are Rolf and Hermann, a pair of refined and resourceful felines who unwittingly trigger a series of chance encounters that bring readers deep inside the world of Frankenstein, the maniacal, brilliant young doctor obsessed with returning life to the dead. Desperate to secure transport to a cat-worshipping island, Rolf and Hermann agree to steal Frankenstein’s watch (or “tick-tock,” in animal parlance). The heroes are subsequently present during all the grisly, decisive moments that form the Frankenstein mythos, from the digging up of corpses to the stealing of brains and even the iconic “It’s alive! Alive! Aliiiiiiiiive!” moment of rebirth. In addition to humor stemming from both the tangled plotline and the cats’ refined manners—“I note that we have been wet more than we have been wet in the rest our lives,” Rolf says, to which Hermann responds, “Yes, I want that to be noted”—the novel’s playful self-awareness helps buoy the action. Early on, Wilson informs readers that his version is actually more authentic than Mary Shelley’s original: “A young woman named Mary something, pretending to the title of ‘novelist,’ wrote a different and much embellished version of the story. Since then there have been about a billion books, movies, plays, and comics based upon it. Ours is the true account. Trust us.” The novel carries a similar sense of the whimsical into its vocabulary, which is refreshingly broad, as when the initially carefree cats explore their environs: “As Rolf and Hermann padded comfortably from hedge to rose bush to topiary elephant, a cornucopia of delightful smells flitted around them like olfactory butterflies.” Also, despite targeting a younger demographic, this story maintains an all-ages appeal by not speaking down to its readers.
Like Frankenstein, this novel creates something unique by stitching together odds and ends, then applying a few healthy doses of creative electricity.Pub Date: Nov. 13, 2013
ISBN: 978-0982722299
Page Count: 188
Publisher: Real Deal Productions Incorporated
Review Posted Online: Dec. 11, 2013
Kirkus Reviews Issue: Feb. 1, 2014
Review Program: Kirkus Indie
A short, simple, and sweet tale about two friends and a horse.
A novel tells the story of two spirited girls who set out to save a lame foal in 1952.
Mary, age 12, lacks muscle control of her legs and must use a wheelchair. Her life is constantly interrupted by trips with her widower father to assorted doctors, all of whom have failed to help her. Mary tolerates the treatments, hoping to one day walk unassisted, but her true passion involves horses. Possessing a library filled with horse books, she loves watching and drawing the animals at a neighboring farm. She longs to own one herself. But her father, overprotective due to her disability and his own lingering grief over Mary’s dead mother, makes her keep her distance. Mary befriends Laura, the emotionally neglected daughter of the wealthy neighboring farm owners, and the two share secret buggy rides. Both girls are attracted to Illusion, a beautiful red bay filly on the farm. Mary learns that Illusion is to be put down by a veterinarian because of a lame leg. Horrified, she decides to talk to the barn manager about the horse (“Isn’t it okay for her to live even if she’s not perfect? I think she deserves a chance”). Soon, Mary and Laura attempt to raise money to save Illusion. At the same time, Mary begins to gain control of her legs thanks to water therapy and secret therapeutic riding with Laura. There is indeed a great deal of poignancy in a story of a girl with a disability fighting to defend the intrinsic value of a lame animal. But this book, the first installment of the Dream Horse Adventure Series, would be twice as touching if Mary interacted with Illusion more. In the tale’s opening, she watches the foal from afar, but she actually spends very little time with the filly she tries so hard to protect. This turns out to be a strange development given the degree to which the narrative relies on her devotion. Count (Selah’s Sweet Dream, 2015) draws Mary and Laura in broad but believable strokes, defined mainly by their unrelenting pluckiness in the face of adversity. While the work tackles disability, death, and grief, Mary’s and Laura’s environments are so idyllic and their optimism and perseverance so remarkable that the story retains an aura of uncomplicated gentleness throughout.
A short, simple, and sweet tale about two friends and a horse.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Hastings Creations Group
Review Posted Online: Oct. 15, 2016
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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