This book’s empowering message is that how we identify and express our racial heritage belongs to us.
Rawly provocative, this anthology reflects its authors’ complex racial backgrounds and experiences. Like a photo mosaic, each piece stands alone while contributing to a bigger picture.
Originating with a Toronto community-center youth group, the project includes interviews of older, multiracial individuals offering historical perspective. Edgy layout, artwork and photos enhance stories and poems, amplifying the powerful emotions behind them. The assumption that racial heritage should be visible to all provokes pain and exasperation, as in Janine Berridge’s sassy poem about a hair stylist’s discomfort when confronted with hair she can’t “place.” Elizabeth Jennifer Hollo, Hungarian/Guyanese, eloquently describes how her father’s death severed her only connection to her European identity. Andrew Ernest Brankley presents a lively dialogue between his black and white selves. Native/Métis Montana Baerg wanted to dye her long dark hair but was afraid, she told her boss, that no one would know she was Native. The reply resonates: “What you look like doesn’t determine who you are. If you have purple or red hair, it doesn’t make you any less Native.” Navigating a racially essentialist world is especially challenging for multiracial teens, complicating developmental tasks like constructing identity beyond home and family. Whether visibly or invisibly multiracial (each has challenges), too often they’re labeled, stereotyped and sorted into categories determined by others.
This book’s empowering message is that how we identify and express our racial heritage belongs to us. (Anthology. 12 & up)Pub Date: Nov. 1, 2012
ISBN: 978-1-55451-380-2
Page Count: 120
Publisher: Annick Press
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
A powerful reminder of a history that is all too timely today.
A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.
Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.
A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)Pub Date: July 16, 2019
ISBN: 978-1-60309-450-4
Page Count: 208
Publisher: Top Shelf Books
Review Posted Online: Aug. 4, 2019
BOOK REVIEW
Though not the most balanced, an enlightening look back for the queer future.
An adaptation for teens of the adult title A Queer History of the United States (2011).
Divided into thematic sections, the text filters LGBTQIA+ history through key figures in each era from the 1500s to the present. Alongside watershed moments like the 1969 Stonewall uprising and the HIV/AIDS crisis of the 1980s and 1990s, the text brings to light less well-known people, places, and events: the 1625 free love colony of Merrymount, transgender Civil War hero Albert D.J. Cashier, and the 1951 founding of the Mattachine Society, to name a few. Throughout, the author and adapter take care to use accurate pronouns and avoid imposing contemporary terminology onto historical figures. In some cases, they quote primary sources to speculate about same-sex relationships while also reminding readers of past cultural differences in expressing strong affection between friends. Black-and-white illustrations or photos augment each chapter. Though it lacks the teen appeal and personable, conversational style of Sarah Prager’s Queer, There, and Everywhere (2017), this textbook-level survey contains a surprising amount of depth. However, the mention of transgender movements and activism—in particular, contemporary issues—runs on the slim side. Whereas chapters are devoted to over 30 ethnically diverse gay, lesbian, bisexual, or queer figures, some trans pioneers such as Christine Jorgensen and Holly Woodlawn are reduced to short sidebars.
Though not the most balanced, an enlightening look back for the queer future. (glossary, photo credits, bibliography, index) (Nonfiction. 14-18)Pub Date: June 11, 2019
ISBN: 978-0-8070-5612-7
Page Count: 336
Publisher: Beacon Press
Review Posted Online: March 12, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
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