An intimate and moving account of a singular bond.

RAISING, AND LOSING, MY REMARKABLE TEENAGE MOTHER

A MEMOIR

In this debut memoir, a woman describes her unconventional relationship with her mother, a teenage parent.

“She was fifteen; he was nineteen….Vietnam was raging,” writes Aaronson in her opening chapter. With the imminent possibility of young men being called to serve overseas in the war, sex seemed like the “next natural step” for the teenage couple. They broke up soon after, with Cindy—the author’s mother—later discovering she was pregnant. Compelled to marry, Aaronson’s parents divorced while she was still a baby. The author describes being raised by a young and inexperienced single mom and the burgeoning understanding that Aaronson was meant not only to be her mother’s daughter, but also her “mother’s mother.” As a child, the author was taken to pot parties where she earned the lifelong moniker Doobie. Growing older, she recalls the freedom given to her by her mother and how they became great friends. Their bond was tightened in later life when Cindy (who changed her name to Briana in the late 1970s) fell ill, first with multiple sclerosis and then cancer. As a caregiver, Aaronson recounts her mother’s treatment and use of holistic therapies. The author’s writing is plainly conversational in tone, on occasion addressing readers directly: “You may be wondering how my dad and grandparents fit into this orbit of my mom’s and mine.” Although straightforward, Aaronson’s approach has a disarming charm and is warmly intuitive: “She had grown up adoring her baby dolls, and I was basically her most extraordinary one yet, being live and all.” The author includes transcriptions of her text exchanges with her mom, which add a deeper layer of intimacy, although certain conversations may make some readers uncomfortable: “Her: I’m feeling very anxious right now. My damn stoma has herniated and it’s sticking out really far! Great / Me: Oh no! What the??? Don’t worry…I’ll stick it back in at the airport.” Those who are skeptical about alternative therapies and mediumship may also struggle with this book. Illustrated with family photographs, this frank and affecting work is a deeply personal celebration of maternal love that avoids the pitfall of being narrowly anecdotal by exploring broader issues of personal identity, family lineage, and struggles with grief.

An intimate and moving account of a singular bond.

Pub Date: June 14, 2021

ISBN: 978-1-73646-050-4

Page Count: 424

Publisher: Astoria Books

Review Posted Online: April 9, 2021

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The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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I'M GLAD MY MOM DIED

The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 31, 2022

Kirkus Reviews Issue: July 1, 2022

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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