Turis’ memoir is a bright-side report from the dark side of attention deficit (hyperactivity) disorder—also known as AD(H)D.
Although none of us really knows what “normal” is, we can usually spot “different” a mile away. Folks with AD(H)D are definitely different, with brains and bodies that operate according to their own rules. But what is AD(H)D, and why does it matter? Turis answers these questions frankly in this insightful, amusing glimpse into atypical intelligence. The work starts by presenting the harsh bottom line: “Families, marriages, jobs, relationships…they all display the scars from the battle that is AD(H)D. Nothing comes out unscathed—absolutely nothing.” Turis’ examples of this are so honest that the book is sometimes painful to read, but that serves its purpose. Folks afflicted with the syndrome will recognize themselves in Turis’ story and find comfort in her upbeat attitude, while “normal” people will gain knowledge toward understanding and accepting the “billion gifts and…gazillion heartaches” that go with AD(H)D. Readers unfamiliar with the condition will learn what all those letters mean. The title captures their essence, and from both title and subject one might expect the narrative to be jumpy. But, in fact, it flows smoothly through Turis’ ups and downs, with lucid descriptions of psychic states that most anyone can to relate to. At times the tone gets puerile, with an overabundance of references to body noises and excreta, salted with profanity. That aside, Turis’ voice is vivid and engaging and her content informative. The book contains fewer typos than average for self-published works, but the consistent misuse of “that” for “who,” for example, will annoy grammarians. They are not the intended audience, however. Turis speaks to anyone associated with AD(H)D and offers her life as illustration of how to succeed despite its burden. For Turis and her fellow sufferers, getting through daily rituals and social or career obligations is like climbing Mt. Everest during a tornado. She offers a model for how it can be done, loaded with laughter and sobered by tears. A forthright, energetic memoir about AD(H)D.
Pub Date: Jan. 11, 2012
ISBN: 978-0983827504
Page Count: 220
Publisher: Bohemian Avenue
Review Posted Online: March 15, 2012
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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