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DAMNATION ISLAND

POOR, SICK, MAD, AND CRIMINAL IN 19TH-CENTURY NEW YORK

Horn engagingly explores a history that, perhaps surprisingly, extended into the 1960s, when the renamed island became a...

Somber study of a dark, little-known episode in the history of New York, when Riker’s Island wasn’t the only warehouse for the condemned.

It makes good sense, on reading Horn’s (Imperfect Harmony: Finding Happiness Singing with Others, 2013, etc.) latest, why the 2005 horror film Dark Water found so appropriate a setting on New York’s Roosevelt Island. In the late 1800s, writes the author, that small chunk of land, barely 150 acres, saw four kinds of unfortunate denizens: the mad were shunted off to the island’s Lunatic Asylum, the destitute to the Almshouse, the vagrant or indigent to the Workhouse, and the seriously criminal to the Penitentiary. Each offered its own version of a living hell, and despite reports by early whistleblowers, not much was done to improve the condition of the inmates. “You can have no idea…what an immense vat of misery and crime and filth much of this great city is!” exclaimed a social reformer who worked on the island, and Horn’s account paints an exacting portrait of just how true that was—and how summary the judgments against the lower class could be. Of interest to students of Foucauldian history is the author’s contrast of what was then called Blackwell’s Island with facilities for the well-to-do, such as the Bloomingdale Insane Asylum near Central Park, with its well-appointed libraries, plush chairs, and expensive artwork. No such amenities were to be found on Blackwell’s, which saw appalling levels of disease, starvation, child mortality, and other ills. Despite such demerits, as Horn writes, the rate of escape from the island was low and the level of recidivism, particularly among younger inmates, high: “At ten the boys are thieves,” noted one official, “at fifteen the girls are all prostitutes.”

Horn engagingly explores a history that, perhaps surprisingly, extended into the 1960s, when the renamed island became a site for mixed-income housing.

Pub Date: June 20, 2018

ISBN: 978-1-61620-576-8

Page Count: 304

Publisher: Algonquin

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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