INTENT TO HARM

First novelist Washburn envisions a kinder, gentler cop in Toby Parkman, a college-educated, liberal, and witty detective for the '90s, here pitted against a rapist. Parkman and his partner/buddy, Walt Kramer, are, respectively, a former publishing staffer and a bookstore owner still infused with 1960s-style idealism. When their businesses went belly-up, the pair joined the police force ``to make the world a better place.'' As the novel moves between visceral squad-room scenes and languid picnics with Parkman's family—more reminiscent of upscale Gap clothing ads than of a stereotypical police clan—Washburn conjures a believably novice protagonist who has the passion, attention to detail, and enthusiasm required of a good cop. The standard-issue plot concerns a serial rapist who enjoys stalking his victims for days before sodomizing them. After collaring a child molester, Parkman is asked by Sgt. Gadek in the sex crimes unit to interview rape victims as part of the effort to catch the stalker. These scenes, in which characters are forced to relive their brutalization, are haunting; Washburn conveys with unrelenting clarity the overwhelming sense of degradation felt by rape victims. In contrast to the searing interviews, prolonged descriptions of the rapist's break-ins (to watch his victims sleep) quickly lose their dramatic impact through repetition, and the pace occasionally suffers as well. A former police reserves officer himself, Washburn deftly leads the reader through the process of detection: at first tedious and technical, then thrilling as various clues lead to the rapist's identity. In an era of cheap automatic weapons and rising crime, Parkman stands as the author's Everyman, eventually fortifying his own home against possible attack. While the rapist's capture comes at a high human cost, the ending succeeds in being reassuring: These are cops who want not only to protect, but to heal. A good start with a credible, likeable hero.

Pub Date: July 1, 1994

ISBN: 0-671-88457-3

Page Count: 352

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1994

Did you like this book?

No Comments Yet

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?

more