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THE MEMORY CHILD

An intense psychological drama underpins this uneven novel.

Holmes (Sweet Memories, 2013) delves into the world of postpartum psychosis in this novel, which isn’t what it might first appear to be.

Diane seems like a happy new mother who dreads returning to her corporate job and wants only to dote on Grace, her daughter. But from the start, it’s clear that something is very wrong. Where is Brian, her devoted husband? Why does everyone seem to want to ignore Grace? The narrative jumps back and forth from Diane’s present-day perspective to the perspective of Brian when Diane was pregnant. Diane was reluctant to have a child due in part to the fact that, when she was a child, her own mother suffered from postpartum psychosis and killed herself and Diane’s baby brother. Though she and Brian have a good marriage, her pregnancy and a job promotion for Brian introduce strife to their harmonious union. It’s clear from Diane’s present-day narration that she is unwell and suffering from delusions, but readers will need to make it to the end of this twisted tale to find out the full extent of Diane’s delusions. Reminiscent of The Twilight Zone, this novel has a feeling that will unsettle readers from the first page. While the jumps back and forth in time help to move things along, some of the chapters from the past perspective feel repetitive as they describe the relationship between Diane and Brian as well as the friction between them. Clichés abound—“He could argue with her until he was blue in the face”—and at times, the narrative is heavy-handed and relies too much on telling rather than gently showing things, such as Diane’s remembering her father: “I never understood how he could make it into work the next day until I realized he was a functioning alcoholic.” Though the plot could perhaps have been contained within a short story, the central mystery will hold reader interest.

An intense psychological drama underpins this uneven novel.

Pub Date: March 18, 2014

ISBN: 978-1477818428

Page Count: 220

Publisher: Lake Union Publishing

Review Posted Online: March 10, 2014

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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