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Good-Bye Def Leppard

I'LL MISS THOSE JEANS

A captivating tale about growing up best suited for nostalgic members of Generation X.

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In Kramer’s debut novel, a middle-aged mother remembers falling into a complicated romance in the early 1990s.

Amy Gaer is a harried working mother. After a busy day, she listens to her young daughter practice for a music recital and recalls her own youth. Thus begins a flashback to Amy’s early 20s that lasts for nearly the rest of the novel. Readers meet young Amy as she completes what might be her final year at the University of Iowa. She’s trying to determine what to do with her life: follow her dream of a musical career or choose something more financially responsible, such as law or business, as her parents hope she will. She returns to her childhood home in rural Iowa for the summer, where she begins an internship at a local bank and meets Nick Klein, who’s in the process of getting divorced—and who quickly gets under her skin. As soon as his divorce is final, the two begin to date, but Nick hopes to keep things casual so that Amy won’t feel reluctant to leave town in pursuit of professional goals. The only thing Amy knows for sure is that meeting Nick has made her choices much more complicated. As she tries to map out her future, she must navigate lingering, complex relationships from her past as well as surprisingly large doses of sexism in the workplace. All the while, Kramer keeps the music of the late 1980s and early ’90s (such as Guns N’ Roses’ “Welcome to the Jungle” and Pearl Jam’s “Even Flow”) playing in the story’s background—so much so that some readers may feel compelled to sing along. As the author transports these readers to the grunge era, she also explores difficult issues surrounding social inequality, infidelity, and, especially, coming-of-age. Meanwhile, the romantic suspense and social calamities that pepper the narrative keep it moving along at an engaging pace. As Amy struggles to find the wisdom and maturity she needs to sort out her future, readers will find themselves in her cheering section. 

A captivating tale about growing up best suited for nostalgic members of Generation X.

Pub Date: April 25, 2008

ISBN: 978-1-4348-4832-1

Page Count: 312

Publisher: CreateSpace

Review Posted Online: June 15, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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