Small print, big picture. Pavlou’s masterpiece doesn’t let us off easy.
Spellbinding mainstream science-fiction spectacular.
The London-based Pavlou’s polymath debut wears five years of research in several disciplines. It turns on sunspots and a casting off of the sun’s coronal shield every 12,000 years, which causes vast devastation here. In 2012, new gravitational centers are found under Antarctica, the Arctic, the Amazon, Cairo, and Wupu, in China, pointing to an electromagnetic buildup that may combine with gravity waves hurtling from the sun—or defend us from them. Discovered at the same time is C60, a manmade form of carbon fabulously harder than diamond. American oil riggers for Rola Corp. in Antarctica have broken through an undersea wall that clearly belongs to a sunken city, one corresponding to Atlantis. Crystallized chunks of C60 come up the pipe and bear pre-cuneiform lettering: language older than the oldest known Sumerian cuneiform, almost certainly from a lost civilization. But how could there be a whole wall of C60 when the entire amount of C60 made by man amounts to a very expensive pinhead? Lost civilizations other than Atlantis, including the Zoroastrian and Aztec, loom large in Pavlou. After discoveries in Wupu, the Chinese are as interested in C60 as the Americans are, and war hovers over the massive undersea store in Antarctica. We follow Rola Corp. teams of scientists at three of the gravity spots and visit the three-mile-long CERN atom smasher outside Geneva, where a piece of the crystal is bombarded and analyzed. Meanwhile, Dr. Richard Scott, a linguist/cultural anthropologist/epigraphist who spends years deciphering ancient inscriptions, is brought in to decipher the Atlantis lettering, and we are treated to long discourses on world languages. Also on hand is Dr. Jon Hackett, a specialist in complexity theory, who gives us complexity workouts. The female leads: Scott’s 19-year-old assistant, November Dryden, and tough-talking geologist Sarah Kelsey, who discovers immense tunnels and other marvels under the Sphinx and Great Pyramid.
Small print, big picture. Pavlou’s masterpiece doesn’t let us off easy.Pub Date: Sept. 1, 2002
ISBN: 0-312-28075-0
Page Count: 400
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
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