Incoherent plot, wooden dialogue, clumsy prose: in a word, abysmal. Cameron should be ashamed.
More sex and murder and boudin sausage, from Cameron (Key West, 1999, etc.).
Not that this uninspired lot of one-dimensional characters talk like they’re from Louisiana, with a few minor exceptions. But here we’re in a forgotten parish, heading to a crumbling plantation house called Rosebank, which a mother and her grown daughter hope to restore to its former grandeur. Charlotte and Vivian have plans to turn it into a hotel, though they don’t have two nickels to rub together. But what about the priceless treasure that’s rumored to be hidden somewhere in the house or on the property? When their lawyer heads over in his powder-blue Jag with information that might make them rich, someone else gets involved . . . and puts up a detour sign and blocks the road . . . and puts on a strange mask . . . and rubber gloves . . . and pulls out a big, sharp knife. Scared yet, campers? Okay, let’s turn off the flashlight and wait until it gets really dark. Let’s go walking with our cute little dog and find the lawyer’s almost decapitated corpse. Let’s recapitulate the decapitation to the point of irritation, for the benefit of a clueless detective and a renegade sheriff named Spike Devol, an aw-shucks he-man and stud. Gee, daughter Vivian looks a little down in the dumps to Spike. Maybe some mind-blowing sex will make her smile. (It does.) Maybe his cute little daughter will enjoy playing with her cute little dog later on. (Yep.) Back to the, um, murder. How come their socialite neighbor Susan Hurst has been hanging around so much? And what’s up with her hip-wiggling, bitch-in-heat daughter Olympia? Susan’s second husband Morgan Link doesn’t seem to be exactly a pillar of the community either. Brace yourself, cher, for an unbelievably disgusting sex scene involving a hogtied Susan and out-of-control Morgan, watched by naked Olympia, who then forces herself sexually upon her screaming mother. Does anyone need to throw up now? Wait . . . there’s more and it’s just as bad.
Incoherent plot, wooden dialogue, clumsy prose: in a word, abysmal. Cameron should be ashamed.Pub Date: Nov. 1, 2003
ISBN: 1-55166-745-2
Page Count: 400
Publisher: Harlequin MIRA
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2003
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so,...
A tenacious reporter won’t let personal ties to a decades-old case stop her from finding the truth.
On the advice of her agent, Savannah Sentinel reporter and author Nikki Gillette is looking for fodder for her latest true-crime novel when she realizes that the perfect subject is about to be released from prison. Savannah’s notorious Blondell O’Henry has been locked up for some 20 years for the murder of her oldest daughter and Nikki’s childhood friend, Amity. Now that Blondell’s son Niall has recanted the testimony that put her away all those years ago, it looks as if she’ll be a free woman unless Nikki’s fiance, Detective Pierce Reed, can find a reason to keep her detained. Pierce and Nikki both work to discover what happened years ago at that cabin in the woods, though Pierce bridles at Nikki’s rather unconventional—all right, illegal—research methods. It seems to Nikki that the more she investigates, the more connections she discovers to her own family, beginning with the fact that her Uncle Alex was the original defense attorney on the case. But all of these uncomfortable connections make Nikki still more determined to learn the truth, even if she doesn’t like what that may mean.
You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so, Jackson (You Don’t Want to Know, 2012, etc.) shows a mastery of the true-crime thriller formula that will please fans.Pub Date: June 25, 2013
ISBN: 978-0-7582-5858-8
Page Count: 336
Publisher: Kensington
Review Posted Online: June 8, 2013
Kirkus Reviews Issue: June 15, 2013
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