Proof, if any were needed by now, that Rimington is better at worldbuilding than storytelling. The threat is real, the...
Those pesky Russians, who just don’t know when to quit, are at it again in this sedate 10th adventure for Liz Carlyle.
Whatever changed when Liz moved from MI5 to MI6 (Breaking Cover, 2016), it wasn’t the activity level of the FSB, the Russian intelligence service. According to Mischa Bebchuk, the army officer–turned–CIA informant, his brother Boris, an FSB officer, is even more anxious than usual because there are rumors of a leak close to the service, something Mischa naturally knows more about than anyone else. What does this wave of anxiety have to do with Lars Petersen, a University of Vermont professor who died shortly after an unusually chatty (and hushed) visit from somebody signing the hospice register as Ohlson, a self-professed old friend from Montreal who was the first person who’d ever come to see him? The link may run through Hamburg’s Freitang School, a gymnasium for immigrant children whose head, Irma Nimitz, seems to be preparing her charges for something her husband, Dieter, who’s with the European Commission for Refugees, thinks may be more than a little iffy—his fears echoing those of Florence Girling, an assistant at Bartholomew Manor College back in Shropshire. Sadly, Ohlson soon vanishes from the story; Dieter spends most of his time fretting; Boris remains offstage; Irma remains in the shadows; and Liz’s most decisive intervention is to get caught snooping around the headmaster’s office at Bartholomew Manor. Amid the general lassitude, only Miss Girling flickers to unsteady life as Her Majesty’s counterintelligence services mostly stand by and watch as a clever cyberterrorist plot trips over its own feet rather than being brought down by their efforts.
Proof, if any were needed by now, that Rimington is better at worldbuilding than storytelling. The threat is real, the bureaucratic infighting sharply detailed, the tradecraft circumspect. The only thing left shortchanged is the plot.Pub Date: Nov. 13, 2018
ISBN: 978-1-63286-797-1
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
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