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THE JOY OF SORCERY

Of some interest to students of contemporary German literature.

German novelist Nadolny conjures up a slow-moving tale that takes in the sweep of modern European history through the eyes of a wizard.

It’s hard to write about magic these days without inviting comparison to J.K. Rowling, but Pahroc, Nadolny’s protagonist, is no Harry Potter. Of improbable origin—his father was a Paiute Indian who “could ride bareback, shoot a bow and arrow, and dance like a god” but whose greatest ambition was to be a German—Pahroc is an old man when we meet him, writing long letters to his granddaughter Mathilda, who shares some of his magical powers. About those powers, Pahroc is ambivalent: He points out repeatedly that while sorcerers are able to do certain things that ordinary mortals can’t, on the whole those ordinary mortals lead happier lives: “It’s normal men and women who turn out to be shooting stars,” he writes. Certainly the sorcerers don’t have Potter’s gracefulness: To fly, Pahroc recounts, you have to zoom as high as you can, then flatten out and glide toward some earthbound object on which you’ve fixed your sight, then repeat the process. That’s good enough for Pahroc to have gotten away from Stalingrad even as his childhood nemesis, another sorcerer named Schneidebein, or Cut Leg (“sounds like cutlet!” Pahroc exclaims), signs up for the Nazi cause and works a little magic on behalf of the Führer. Pahroc joins the resistance, but because ethical sorcerers aren’t really supposed to use their powers to kill or to influence the course of history, his contributions aren’t very distinguished. The story owes something to Hermann Hesse, but along with the Harry Potter stories, it bears comparison to Günter Grass’ The Tin Drum, which treads on similar territory more memorably. The reader will benefit by knowing some of the basics of 20th-century German history, including the country’s division after World War II.

Of some interest to students of contemporary German literature.

Pub Date: June 30, 2020

ISBN: 978-1-58988-146-4

Page Count: 265

Publisher: Paul Dry Books

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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IRON FLAME

From the Empyrean series , Vol. 2

Unrelenting, and not in a good way.

A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.

Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.

Unrelenting, and not in a good way.

Pub Date: Nov. 7, 2023

ISBN: 9781649374172

Page Count: 640

Publisher: Red Tower

Review Posted Online: Jan. 20, 2024

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JAMES

One of the noblest characters in American literature gets a novel worthy of him.

Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.

This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.

One of the noblest characters in American literature gets a novel worthy of him.

Pub Date: March 19, 2024

ISBN: 9780385550369

Page Count: 320

Publisher: Doubleday

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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