adapted by Stephanie Gwyn Brown & illustrated by Stephanie Gwyn Brown ‧ RELEASE DATE: March 1, 2003
Busy design seeks to illustrate Aesop’s fable of the crow and the pitcher, with an emphasis on the scientific method—hence, presumably, the “Professor” Aesop of the title. The story is told straightforwardly and without linguistic elaboration: the thirsty crow finds a pitcher of water; the water level being too low for his beak to reach, he uses the principle of water displacement to raise the level of the water with a series of pebbles until he is able to drink. With a heavy reliance on digital technique, newcomer Brown’s full-bleed, mixed-media illustrations add what are probably meant to be clever touches: a thermometer measuring the “ambient temperature” (a term that goes unexplained), a Thirst-o-meter, a determination scale, and a pebble indicator are added one by one as the crow works through his solution. Blueprint diagrams illustrate both the essential problem and the solution, and an X-ray shows the raising of the water level in process. The moral—“Necessity + Perseverance (that’s good old hard work) = Invention”—precedes a busy and confusing double-paged spread explanation of “the scientific method according to crow.” The notion of introducing children to the scientific method is praiseworthy, but this attempt to illustrate it falls victim to its own cuteness. While the various scales at the sides of the page are entertaining, they add little to the mission of the narrative, instead serving to distract the reader from the simple elegance of the crow’s solution. The illustrations are bright and appealing, but in the end they are more obfuscatory than illustrative. Children are natural scientists; they do not need these extraneous bells and whistles to encourage exploration. (Picture book/nonfiction. 4-7)
Pub Date: March 1, 2003
ISBN: 1-58246-087-6
Page Count: 30
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
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by Nate Evans & Stephanie Gwyn Brown ; illustrated by Jessica Gibson
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by Nate Evans Stephanie Gwyn Brown & illustrated by Christopher Santoro
by David Milgrim & illustrated by David Milgrim ‧ RELEASE DATE: March 1, 2003
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip. The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface. Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)
Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by David Milgrim ; illustrated by David Milgrim
by David Milgrim & illustrated by David Milgrim
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by Jason Lefebvre ; illustrated by Zac Retz ‧ RELEASE DATE: Sept. 1, 2013
Great gobs of glue should be more fun than this. (Picture book. 4-7)
Can there be too much glue? Matty’s about to find out.
Matty’s art teacher warns him that too much glue will never dry, but Matty (and his dad) loves glue; they play with it constantly. So Matty finds the “fullest” bottle in the art room and squirts it all over his project. Then he flops down in the middle of the mess…and gets stuck. He’s “a blucky stucky mess!” His friends try to lasso him with yarn and haul him out, but the yarn breaks and gets stuck; now, he’s “a clingy stringy, blucky stucky mess.” A Lego tow truck snaps apart in another rescue attempt, making him a “click-brick, clingy stringy, blucky stucky mess!” When the bell rings, the glue’s dry, and dad must peel gluey Matty off the table. At home, he’s divested of his glue suit, and Dad puts a magnet on it and sticks it to the fridge. After dinner, the family explores the fun of duct tape. Despite the busy plot and superabundance of exclamation marks, Lefebvre’s debut never rises to the level of mayhem or fun it aspires to. The cumulative portion of the tale loses rhyme, rhythm and logic six pages before it ends. Retz’s Photoshop paintings are bright, wide-eyed and goofy, but they can’t add enough fun to compensate for the lackluster text.
Great gobs of glue should be more fun than this. (Picture book. 4-7)Pub Date: Sept. 1, 2013
ISBN: 978-1-9362612-7-7
Page Count: 32
Publisher: Flashlight Press
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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