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AUTOMAT

Kane delivers yet again for fans of fine art and whodunits.

Awards & Accolades

Our Verdict

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Lily Sparks is back in this latest mystery installment, tracking down a killer inspired by Edward Hopper’s paintings.

Ex-attorney Lily is the conservator of paintings at the Denver Art Museum, which is gearing up for a major Hopper exhibit. To gin up excitement before the opening, the museum staff plans a series of tableaux vivants of selected paintings at venues around the city, but with a twist: The static scenes with actors will each transform into a short playlet in the spirit of the painting. The first, “Automat,” is a great success—until Lily finds the actor backstage with her throat cut. Who did it? And should the three remaining tableaux still go on? Lily wants to cancel them but she’s overruled, which means that each one will be an invitation for the murderer to strike again. As Lily tries to narrow down the possible suspects, she also tries to get her erstwhile boyfriend, FBI agent Paul Reilly, to come back to Denver from Washington, D.C.—and hopefully, back into her life. Soon, another actor is killed, and one of Lily’s friends gets pushed in front of a car. For the final tableau, Lily makes herself the bait, leading to a tense climax and a conclusion that’s a bit far-fetched but certainly apt. Kane knows how to build suspense, and she’s adept at scattering red herrings throughout the narrative. This new outing is very similar to her previous book, A Perfect Eye (2019), in some ways; it not only features the same cast of characters, but also portrays a sick villain who’s drawn to the works of a particular painter, and it reuses the shtick of occasionally providing the killer’s interior monologues. That said, the latter device is still chilling, and it still works. Readers may also learn a lot about Hopper, as well—a contained man whose paintings speak volumes about solitude and, often, desperation. Over the course of this book, those paintings are shown to be as much an intellectual as an aesthetic experience.

Kane delivers yet again for fans of fine art and whodunits. (acknowledgements, author bio)

Pub Date: Oct. 15, 2020

ISBN: N/A

Page Count: 157

Publisher: COLD HARD PRESS

Review Posted Online: June 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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