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SEEDS OF DOUBT

Despite her best efforts, Kane doesn’t give her smart, sorely beset heroine anything like the personal stake in this case...

A sophomore case for dyslexic Denver attorney Jackie Flowers finds her equally outraged and baffled but less personally engaged.

Rachel Boyd has just finished doing 30 years for killing Freddie Gant in Vivian, Colorado, when he was 4 and she was only 12. No sooner is she released and gone to stay with her banker brother Christopher in Denver than another child disappears: Chris’s gardener’s son Benjamin Sparks, 6, who promptly turns up as dead as little Freddie. Things look so bad for Rachel, an ex-con who showed no remorse for her earlier crime or even admitted she’d done it, that Chris insists Jackie defend her and shoves a pot of money at her to get her interest. And she’ll need all the incentive she can get because everyone around her, from her investigator to her next-door neighbors to her ex-lover, attorney Dennis Ross, is agog that she’s agreed to take Rachel in as a houseguest when she’s released on her own recognizance because they all assume Rachel’s guilty. And why shouldn’t they? The postmortem exam shows that Ben was wounded in a pattern eerily similar to Freddie, presumably with a weapon that hasn’t been found for 30 years. Both Lee Simms, the tabloid journalist who rode the earlier case to brief glory, and Trina Maune, Rachel’s grade-school cohort and confidante, who make the trip from Vivian to Denver, and from past to present, ostensibly to help Jackie defend Rachel turn out to have agendas of their own. And of course she has to fight tooth and nail for every inch of pretrial courtroom turf.

Despite her best efforts, Kane doesn’t give her smart, sorely beset heroine anything like the personal stake in this case that she had in her debut (Extreme Indifference, 2003). Instead, Jackie seems intent on building a client base consisting entirely of the most despised people in Colorado.

Pub Date: Nov. 2, 2004

ISBN: 0-7432-4557-1

Page Count: 288

Publisher: Scribner

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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