Great title, limp story.
Young playwright confronts the Big Questions: sex, mortality, etc., in a debut by a young playwright.
Jennifer Ward is delighted when a young director tells her he loves her play: Peter Heller cites all the reasons why it’d be crazy to put on the work of a nobody like her, but then he promises her the moon. Okay, he promises her an Equity-waiver production in an Off-Off-Off Broadway theater in a Chelsea office building. How can she say no to such a cute guy? Maybe he’ll sweep her off her feet and make passionate love to her—an experience Jennifer has been searching for ever since her sister Diana, a manic-depressive actress, committed suicide four years ago. No matter how many Cosmo articles she reads to improve her sex life, she still feels nothing, and masturbating isn’t working out. Well, she can always throw herself into her work, now that casting is beginning for Til Death Do Us Part, a dramatic, blow-by-blow account of her bickering relationship with her dead sister. Looks like Kelly Cavanna, a gorgeous unknown, will bring just the right touch of crazy selfishness to the part. As seductive offstage as on, Kelly hits on Jennifer, confessing that the memory of her rape at ten by a fourteen-year-old boy who let his sister watch still turns her on. Jennifer has no such tender memories to share and isn’t excited by Kelly’s advances—or exactly surprised when Kelly seduces Peter a few weeks later. What the heck. Jennifer’s been to bed with Peter and still didn’t feel anything much. But her play is a surprise hit in a small way, and the public catharsis of playing herself on stage when the other actress gets a better part seems to help her troubled soul. Other successes follow. Kelly makes the move to Hollywood, then back to Broadway. Time marches on, right?
Great title, limp story.Pub Date: Jan. 1, 2003
ISBN: 0-7582-0333-0
Page Count: 256
Publisher: Kensington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
BOOK REVIEW
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a...
The victims of a mass shooting—including two young heroes from the tragedy—are moving forward in their lives, affected in different ways, when they're stunned to discover a serial killer is targeting survivors.
Simone Knox and Reed Quartermaine were both survivors of a mass shooting at a mall in Portland, Maine. Afterward, Simone, grateful to be alive, vows to be a better daughter and at first tries to conform to her parents’ conservative expectations. However, she soon realizes she’ll never be happy appeasing them and finally chooses to follow her artistic dreams in order to lead a more authentic life. Reed, inspired by Essie McVee, the first police officer on the scene, becomes a detective, eventually becoming Essie's partner and close friend. Years later, survivors of the massacre begin to die, and Reed is convinced the deaths are connected—but not even Essie takes him seriously until the killer targets him. Reed is wounded but survives, and suddenly everyone believes him. The cunning psychopath escapes into the ether, armed with money, lots of false identification, and a seething desire for revenge. Taking time to heal, Reed visits Tranquility Island, Maine, his childhood vacation spot, and falls in love with the place. He also meets a charismatic older woman who helps him land the house of his dreams and the position of police chief. Falling in love with her granddaughter, Simone—whom he had been aware of since the tragedy but had never met—seems like fate. Reed settles into his new job and hooks up with the FBI regarding the case, convinced their face-off has frustrated the vengeful killer. As heroic survivors, Reed and Simone are prime targets, and now that they’ve found each other, the stakes are higher than ever. Facing the hunter means fighting for their lives, love, and happiness while silencing the violent echoes of the worst day of their lives. Fascinating characters—Simone's grandmother is a standout—and a sprawling plot that covers a lot of ground yet keeps the reader engaged offer a surprisingly compelling and poignant redemption story that begins with a tragic mass shooting.
Roberts’ newest is part thriller, part romance, part survivors’ psychological study with a touch of New Age magic—and a lively, captivating read.Pub Date: May 29, 2018
ISBN: 978-1-250-16159-8
Page Count: 448
Publisher: St. Martin's
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
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