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THE LEGEND OF THE BEAVER'S TAIL

An easily digestible fable with a simple moral and added classroom value as a natural science add-on.

Shaw puts an ecological spin on an Ojibwa fable about pride and its consequences.

Instead of joining obnoxious Beaver in admiring his big, fuzzy tail, Bird, Deer and Fish go off about their businesses—and so are not around when a tree falls on it. Dragging the tail free leaves it flat and furless. Repenting both pride and bad behavior, Beaver works busily on building a dam as winter comes, and when he apologizes to his animal friends in spring, they commend him for leaving twigs for Bird’s nest, clearing woodland spaces for Deer’s forage to grow, and creating a warm pond for Fish. Along with adding this last part to traditional versions—and explaining in an afterword that beavers, as a “keystone species,” actually perform these functions in woodland ecosystems—the author retells the tale in contemporary language. “I’m just saying,” Beaver informs Fish, “this tail of mine is absolutely the most magnificent tail a creature could have.” Mirroring the changing seasons with a rich color scheme, van Frankenhuyzen poses large, realistically rendered animal figures in idyllic outdoor settings. He communicates Beaver’s emotional state largely through body language, though a few subtle facial expressions occasionally sneak in. There is no sourcing aside from the statement that the story is from the Ojibwa tradition.

An easily digestible fable with a simple moral and added classroom value as a natural science add-on. (Picture book/folk tale. 6-8)

Pub Date: April 1, 2015

ISBN: 978-1-58536-898-3

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Jan. 19, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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DEAR BEAST

An effective early chapter book conveyed in a slightly overdone gag.

Epistolary dispatches from the eternal canine/feline feud.

Simon the cat is angry. He had done a good job taking care of his boy, Andy, but now that Andy’s parents are divorced, a dog named Baxter has moved into Andy’s dad’s house. Simon believes that there isn’t enough room in Andy’s life for two furry friends, so he uses the power of the pen to get Baxter to move out. Inventively for the early-chapter-book format, the story is told in letters written back and forth; Simon’s are impeccably spelled on personalized stationery while Baxter’s spelling slowly improves through the letters he scrawls on scraps of paper. A few other animals make appearances—a puffy-lipped goldfish who for some reason punctuates her letter with “Blub…blub…” seems to be the only female character (cued through stereotypical use of eyelashes and red lipstick), and a mustachioed snail ferries the mail to and fro. White-appearing Andy is seen playing with both animals as a visual background to the text, as is his friend Noah (a dark-skinned child who perhaps should not be nicknamed “N Man”). Cat lovers will appreciate Simon’s prickliness while dog aficionados will likely enjoy Baxter’s obtuse enthusiasm, and all readers will learn about the time and patience it takes to overcome conflict and jealousy with someone you dislike.

An effective early chapter book conveyed in a slightly overdone gag. (Fiction. 6-8)

Pub Date: May 12, 2020

ISBN: 978-0-8234-4492-2

Page Count: 80

Publisher: Holiday House

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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TOUCH THE EARTH

From the Julian Lennon White Feather Flier Adventure series , Vol. 1

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so...

A pro bono Twinkie of a book invites readers to fly off in a magic plane to bring clean water to our planet’s oceans, deserts, and brown children.

Following a confusingly phrased suggestion beneath a soft-focus world map to “touch the Earth. Now touch where you live,” a shake of the volume transforms it into a plane with eyes and feathered wings that flies with the press of a flat, gray “button” painted onto the page. Pressing like buttons along the journey releases a gush of fresh water from the ground—and later, illogically, provides a filtration device that changes water “from yucky to clean”—for thirsty groups of smiling, brown-skinned people. At other stops, a tap on the button will “help irrigate the desert,” and touching floating bottles and other debris in the ocean supposedly makes it all disappear so the fish can return. The 20 children Coh places on a globe toward the end are varied of skin tone, but three of the four young saviors she plants in the flier’s cockpit as audience stand-ins are white. The closing poem isn’t so openly parochial, though it seldom rises above vague feel-good sentiments: “Love the Earth, the moon and sun. / All the children can be one.”

“It’s time to head back home,” the narrator concludes. “You’ve touched the Earth in so many ways.” Who knew it would be so easy to clean the place up and give everyone a drink? (Picture book. 6-8)

Pub Date: April 11, 2017

ISBN: 978-1-5107-2083-1

Page Count: 40

Publisher: Sky Pony Press

Review Posted Online: Feb. 3, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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