edited by Stephanie Stokes Oliver ‧ RELEASE DATE: Jan. 30, 2018
Revelatory, often moving essays by impressive writers.
Writers testify to the significance of reading and writing in their lives.
In a well-chosen selection of essays by black writers from Frederick Douglass to Chimamanda Ngozi Adichie, and including a candid interview with book-lover and author Barack Obama, former Essence editor Oliver (Song for My Father: Memoir of an All-American Family, 2004, etc.) offers ample testimony to the power of the written word. For slaves coming from disparate African countries, it is likely, writes poet Nikki Giovanni in her foreword, that the first word they had in common was “sold.” Stories, many told through song, evolved from a need to form a community: “We write because we are lonely and scared and we need to keep our hearts open.” Oliver divides the essays, most excerpted from longer works, into three sections: “The Peril, 1800-1900,” represented by Douglass, Solomon Northrup, Booker T. Washington, and W.E.B. Du Bois; “The Power, 1900-1968,” which includes Zora Neale Hurston and Langston Hughes, stars of the Harlem Renaissance; James Baldwin; Malcolm X; and important contemporary writers, such as Nobel Prize–winning Toni Morrison, Harvard professor Henry Louis Gates Jr.; Pulitzer Prize winner Alice Walker; and prolific bestseller Maya Angelou; and “The Pleasure, 1968-2018,” which features acclaimed, multiple award–winning writers (several have been awarded MacArthur Fellowships) such as Junot Díaz, Roxane Gay, Colson Whitehead, and Ta-Nehisi Coates. Walker reveals that poetry lifted her from suicidal depression. Morrison sees her work as an extension of and “complement” to slave narratives. Gay writes about her love of the Sweet Valley High series of young-adult novels, whose “blond and thin and perfect” characters were models of all she wanted to be. Díaz writes of his despair in Cornell’s MFA program, where lack of diversity among the faculty and “the students’ lack of awareness of the lens of race” threatened to silence him. Oliver’s cogent author introductions contextualize each piece, making the anthology an informative overview of African-American literature.
Revelatory, often moving essays by impressive writers.Pub Date: Jan. 30, 2018
ISBN: 978-1-5011-5428-7
Page Count: 272
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Oct. 8, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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