Sometimes affecting if often uncomfortably similar to the first installment, especially in the enslavement scenes; mammoth...

LONGTUSK

Second volume (following Silverhair, 1999) of Baxter’s trilogy, previously published in Britain. Baxter’s highly anthropomorphized mammoths—gentle giants, they have their own language and can comprehend others’—live 18,000 years ago, during an epoch when Siberia’s glacial climate warms, forests spread, and the arctic grasslands upon which the mammoths depend for sustenance shrink. Longtusk, a young male convinced of his great destiny, won’t listen to his Clan’s Matriarch or the wisdom of the herd’s elders. Instead, he wanders away, briefly joining a male herd among whom he is too young to compete. When fire sweeps the grasslands, Longtusk, separated from the herd, survives by walking through the flames along a riverbed. Lost, alone, his survival skills undeveloped, he becomes friendly with a tribe of Neanderthals, or Dreamers, and the young hunter Willow. Then modern humans, or Fireheads, arrive to kill or enslave the hapless Dreamers and capture Longtusk. Eventually, the Fireheads subdue Longtusk and put him to toil alongside the herd of “mastodons” they’ve domesticated. He endures years of ill-use before managing to escape, only to find his old Clan in desperate straits, dying of thirst and starvation. Can Longtusk help them survive not only climatic change but the pitiless Fireheads as well?

Sometimes affecting if often uncomfortably similar to the first installment, especially in the enslavement scenes; mammoth fans, though, will certainly want to continue their acquaintanceship.

Pub Date: June 12, 2001

ISBN: 0-380-81898-1

Page Count: 320

Publisher: Eos/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2001

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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Fantasy fans will love this fast-paced adventure, with its complex magic system, thoughtful hero and bold heroine.

A DARKER SHADE OF MAGIC

From the Shades of Magic series , Vol. 1

A fast-paced fantasy adventure that takes readers into a series of interconnected worlds ruled by magic—or the lack of it.

Long ago, the doors between worlds were open, and anyone with magic could travel from one to the next. Now the doors are closed, and only a chosen few have the power to travel between Grey London, a world without magic, Red London, a world suffused with it, and White London, a world where magic is scarce, coveted and jealously guarded. As for Black London, the city consumed, no one would be so foolish as to risk a trip—not even Kell. Officially, he’s a royal messenger, carrying letters among the rulers of the three Londons. Unofficially, he’s a smuggler who collects artifacts from other worlds. It’s that habit that leads him to accept a dangerous relic, something that shouldn’t exist. And it’s when a wanted Grey London thief named Lila steals the artifact that the real trouble starts—for both of them. Schwab (Vicious, 2013, etc.) creates a memorable world—actually, three memorable worlds—and even more memorable characters. Lila in particular is a winningly unconventional heroine who, as she declares, would “rather die on an adventure than live standing still.” The brisk plot makes this a page-turner that confronts darkness but is never overwhelmed by it.

Fantasy fans will love this fast-paced adventure, with its complex magic system, thoughtful hero and bold heroine.

Pub Date: Feb. 24, 2015

ISBN: 978-0-7653-7645-9

Page Count: 400

Publisher: Tor

Review Posted Online: Dec. 6, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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