Early in this massive biography, Ambrose makes the ironic statement that, at 25, Nixon was considered to be so honest, scrupulous, and upright that had he opened a used-car lot, his peers would have flocked to buy cars from him. The statement captures the tone of this, the definitive biography of an enigma. Ambrose, whose career as a historian has seemed to gel in recent years as the primary biographer of Eisenhower, captures Nixon as a prisoner of ironies in this first of two volumes that takes us up to the "last press conference" after Nixon's 1962 California gubernatorial defeat. Nixon's rise was meteoric. (Consider the equivalent: a freshman representative entering Congress this year would be elected Vice-President in 1992!) But, as Ambrose shows, this was only typical. Within months of joining any organization, from grade school on, Nixon would so shine that he would be granted the presidency. It was only natural that he should consider the Vice-Presidency and Presidency as plausible career steps. But it wasn't just a matter of brutal ambition. Friends and enemies alike conceded that the man possessed a brilliant political mind. And this, in turn, was fed by a remarkable memory and sheer hard work (Nixon could go days without sleep in preparing for important trips or events). It was unfortunate for him that he had to ride the coattails of Eisenhower, whose feelings for Nixon were fatherly in the best and worst sense of the word. While grooming Nixon to take on the burdens of the Presidency, he never quite considered him mature enough. Nixon's tireless and great service to the Republican Party often irked Eisenhower, who cared not a whit for party affiliation. Ambrose brings out other ironies'. The supposed campaign of vilification against Helen Gahagan Douglas in 1950, for instance, was actually begun by Douglas, who first tried to besmirch Nixon's voting record! And the conception of Nixon as an extreme right-winger depended too heavily on Nixon's partisan lambasting of Democrats who were "soft on Communism." Ambrose convincingly demonstrates that in domestic policies, Nixon was actually one of the more progressive Republicans of the 1950's, but he had to quell that spirit because of Eisenhower. Nixon's progressivism was particularly apparent in his promotion of black rights. In this regard, Martin Luther King, Jr., actually voted for the Eisenhower ticket in 1956 because of Nixon. Most previous biographies of Nixon have either been admiring political studies or hatchet jobs by obvious enemies. Ambrose rights both of their wrongs and gives us a wonderful preliminary to the final volume, which will chronicle Nixon's resurrection, triumph, and fall. Masterful biography.
Pub Date: April 1, 1987
ISBN: 0671654381
Page Count: 752
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: March 15, 1987
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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