TERRIBLE THINGS

AN ALLEGORY OF THE HOLOCAUST

An earnest fable that is too ponderous and too shadowy to be effective. It opens with the small forest creatures, content in the clearing "until the day the Terrible Things came." Rabbit sees their Terrible shadows, which loom like the shadows of huge human busts, as the Terrible Things announce that they have come for "every creature with feathers on its back." "We don't have feathers," clamor the frogs, the squirrels, the porcupines, the rabbits, and the fish; and so only the birds are taken this time. The other creatures, relieved to be spared, don't much care, though Little Rabbit asks them, "What's wrong with feathers?" But of course the Terrible Things come back. . . first for the bushy-tailed, next for the swimmers, and so on until everyone is gone except (unrealistically) for Little Rabbit, who has hidden in a pile of rocks. "If only we creatures had stuck together, it would have been different," says Little Rabbit sadly, making Bunting's point clear but not its application. Who or what are the Terrible Things in a small child's world? (Their own answer might be parents and teachers.) And how can children gang tip against them? Kids will probably be able to parrot the lesson, but without a lot of pulling and prodding, will they relate to it? And if so, how?

Pub Date: March 19, 1980

ISBN: 0827603258

Page Count: 32

Publisher: Harper & Row

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: March 1, 1980

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An unabashed love letter from mother.

I LOVE YOU, LITTLE POOKIE

From the Little Pookie series

A sweet celebration of the bond between a mother and her Pookie.

The eighth installment in this always charming series eschews the episodic drama and silliness of earlier outing such as Spooky Pookie (2015) in favor of a mom’s-eye-view celebration of her child and the time they spend together. There is, of course, nothing wrong with drama and silliness. But while the lack of conflict and plot in favor of unapologetic sentiment makes this book a quick read, that doesn’t make it any less endearing. The rhymed verse captures a mother’s wonder as she observes the many facets of her child’s personality: “Ah, Pookie. My little one. My funny one. My child. // Sometimes you are quiet. Sometimes you are wild.” On the simple joys of shared moments, she notes, “I love to go walking with you by my side. / I love when we sing when we go for a ride. // And I love just to watch as you think and you play. / The way that you are is a wonderful way.” Paired with author/illustrator Boynton’s irresistible renderings of a porcine mommy and her playful, snuggly little piglet, the result is impossible to fault. Whether quietly reading, running in a tiger suit, singing with mom in the car, ears flapping in the breeze, or enjoying the safety of mom’s embrace, Pookie’s appeal continues unabated.

An unabashed love letter from mother. (Board book. 1-4)

Pub Date: Dec. 4, 2018

ISBN: 978-1-5344-3723-4

Page Count: 18

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Dec. 5, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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The greeting-card art and jokey rhymes work for the baby-shower market but not for the youngest readers.

I LOVE YOU LIKE NO OTTER

Animal parents declare their love for their offspring through rhymed puns and sentimental art.

The title sets the scene for what’s to come: The owl asks the owlet as they fly together, “WHOO loves you?”; the kangaroo and joey make each other “very HOPPY”; and the lioness and cub are a “PURRRFECT pair.” Most of the puns are both unimaginative and groanworthy, and they are likely to go over the heads of toddlers, who are not know for their wordplay abilities. The text is set in abcb quatrains split over two double-page spreads. On each spread, one couplet appears on the verso within a lightly decorated border on pastel pages. On the recto, a full-bleed portrait of the animal and baby appears in softly colored and cozy images. Hearts are prominent on every page, floating between the parent and baby as if it is necessary to show the love between each pair. Although these critters are depicted in mistily conceived natural habitats and are unclothed, they are human stand-ins through and through.

The greeting-card art and jokey rhymes work for the baby-shower market but not for the youngest readers. (Board book. 6 mos-2)

Pub Date: Jan. 7, 2020

ISBN: 978-1-7282-1374-3

Page Count: 24

Publisher: Sourcebooks Wonderland

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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