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A FRIEND OF MR. LINCOLN

A narrative that presents keen insights into Lincoln’s complex personality.

A novel that concentrates on Lincoln’s early years in Illinois, from his friendship with the (fictional) poet Cage Weatherby to his (altogether too real) relationship with Mary Todd.

Harrigan presents Lincoln warts and all. In his version, Lincoln tells ribald jokes, writes morbid poetry, and even threatens suicide when he gets engaged to Mary Todd and at some level realizes the engagement is a terrible mistake. The novel opens with the aftermath of Lincoln’s assassination and then flashes back to when he was 22 and meeting Cage for the first time as they buried casualties of the Black Hawk War. Cage is presented as a skilled amateur poet whose work Lincoln much admires and a successful businessman—at least till the end of the novel, when his investments collapse. Cage becomes Lincoln’s confidant as Lincoln moves from being an itinerant lawyer to a member of the state legislature. Along the way we get to know some of Lincoln’s idiosyncrasies—his social ineptness, for example, especially around his fiancee—though these are balanced by a strong sense of honor and awareness of right and wrong. In one of his best moments he defends Cordelia, a runaway slave employed as a seamstress in a shop owned by Cage’s mistress, who's been thrown in jail until her owner can come north to claim her. Through legal knowledge and a sense of the dramatic, he succeeds in securing her freedom. In another episode, both ludicrous and grim, Lincoln is challenged to a duel by a man who feels he’s been slandered—and as the one challenged, Lincoln is allowed to choose the weapons. He chooses…broadswords. "You mean to fight this duel like a medieval knight?" a friend asks. "I mean to fight this duel with a weapon I can kill Jim Shields with if I need to," Lincoln replies.

A narrative that presents keen insights into Lincoln’s complex personality.

Pub Date: Feb. 2, 2016

ISBN: 978-0-307-70067-4

Page Count: 432

Publisher: Knopf

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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OF MICE AND MEN

Steinbeck is a genius and an original.

Steinbeck refuses to allow himself to be pigeonholed.

This is as completely different from Tortilla Flat and In Dubious Battle as they are from each other. Only in his complete understanding of the proletarian mentality does he sustain a connecting link though this is assuredly not a "proletarian novel." It is oddly absorbing this picture of the strange friendship between the strong man and the giant with the mind of a not-quite-bright child. Driven from job to job by the failure of the giant child to fit into the social pattern, they finally find in a ranch what they feel their chance to achieve a homely dream they have built. But once again, society defeats them. There's a simplicity, a directness, a poignancy in the story that gives it a singular power, difficult to define.  Steinbeck is a genius and an original.

Pub Date: Feb. 26, 1936

ISBN: 0140177396

Page Count: 83

Publisher: Covici, Friede

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Feb. 1, 1936

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