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GOING NUCLEAR

Characters debate more than act, but the novel astutely examines the Vietnam War.

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In Hart’s debut historical thriller, a secret group hopes to build a nuclear bomb that will force the government into ending the Vietnam War.

Arthur Weiss is the son of an Army colonel, but he still has no itch to volunteer for Vietnam, especially after his older brother, Tom, returns from the war in a body bag. In fact, at the University of Illinois, he helps fellow student Joshua Taylor evade police at an anti-war demonstration on campus, an act that has unexpected consequences. Joshua turns up murdered, and FBI Agent Vic Torkis is on the case. The agent’s immediate supervisor, Frank Bono, wants to link the murder to a group Joshua was actively involved in, Students for a Democratic Society. Bono also assumes Joshua, who is black, belonged to the Black Panthers. Potential dissension between SDS and the Panthers, Bono believes, could aid in blaming Joshua’s death on the latter and discrediting the organization. Months later, Arthur, now a chemist at the University of Notre Dame Radiation Laboratory, is contacted by Billie Lee, a woman who claims to have been friends with Joshua in Illinois. Due to her association with the late student, Vic’s keeping an eye on her—and soon watching Arthur as well. Billie Lee tells Arthur she belongs to a “very select group,” separate from SDS, with plans to build a nuclear bomb as a means to negotiate with the government to end the war. Arthur can use his skills (and lab) to convert uranium to plutonium, but before long, he has doubts regarding the group’s true motivation. Hart’s entertaining tale often plays like a soap opera. Vic is sure his wife, Cathy, is having an affair. He starts a pseudo-romance with Susie-Q, who works at a massage parlor, and is shocked when his daughter, Denise, wants to drop out of college. Arthur balances relationships with both Billie Lee and Donna Will, whom he meets at a student bar. Billie Lee is a sexually enticing, radical protestor, while Arthur sees himself settling down with Donna, who believes in ending the war peacefully. Nevertheless, Arthur’s dalliances render him less likable; seeing both women involves deceit, and Arthur shows no sign of remorse. There’s heavy political discourse throughout, and these extensive discussions consider various aspects of a nation at war, from racism in draft exemptions to the reason for the Vietnam War (imperialism, someone suggests). The narrative leaves little room for action, so while it’s abundantly clear that at least one individual remains in peril in the final act, the ending is a bit anticlimactic. Fortunately, Hart sprinkles in some humor: Arthur, having dropped acid (it’s the’60s, after all), hallucinates that President Richard Nixon is in his apartment, explaining why he won’t pull troops from Vietnam and making soup in a giant cauldron.

Characters debate more than act, but the novel astutely examines the Vietnam War.

Pub Date: Sept. 18, 2017

ISBN: 978-1-59330-688-5

Page Count: 278

Publisher: Aventine Press

Review Posted Online: Oct. 17, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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