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THE 24-HOUR SOUP KITCHEN

SOUL-STIRRING LESSONS IN GASTROPHILANTHROPY

An inspiring philanthropic account that deftly displays the author’s affability, knowledge, and passion.

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A New York–based journalist recounts his experiences in some of the world’s soup kitchens in this debut memoir.

Henderson was in France on a mission to buy an “absurdly expensive oven” when he was asked if he had ever come across the Frenchman Alexis Soyer, who became Victorian Britain’s most celebrated chef. Learning about Soyer, inventor of the soup kitchen, inspired the author to begin his own “gastrophilanthropic” journey. Interested in feeding large numbers of people but with no professional training, Henderson began utilizing his journalistic expeditions as a way of learning more. When visiting Delhi to write an article about India’s fashion week, he discovered that Sikh temples “operate 24-hour soup kitchens.” He later completed a five-day apprenticeship at one such kitchen. The author’s travels also took him to Iran, where he learned about nazr, a spiritual vow that can involve “voluntarily cooking for others.” Henderson then made his own vow to volunteer at a soup kitchen in Pittsburgh to celebrate each year that his niece completed in her Ph.D. program. The memoir details his experiences in Japan, where he stayed at a Buddhist temple; Mexico, where he cooked a meal for a group of “homeless street kids and transgendered sex workers”; Peru; Israel; and South Korea. The author also discusses volunteering at soup kitchens across America.

Henderson’s writing bubbles with enthusiasm. When describing feeding a group of seemingly nonchalant youths at a shelter in Los Angeles, he writes: “What I saw…over the next hour was how a home-cooked meal can transform a roomful of sullen teenagers into a group of cheerful children.” His narrative is also woven with a wealth of background data that underlines the gravity of the homelessness crisis: “It’s also estimated that there may be between one million and three million homeless children currently living on the streets in the United States.” The author’s delightful descriptive skills that often draw on culinary metaphors add a sprinkling of levity to a serious subject (a road in the Andes is depicted as having the “consistency of pudding” and an Israeli tour guide had “hair dyed a shade of red best described as ‘medium rare’ ”). Henderson is conscious of how his approach to “gastrophilanthropy” is viewed by others. He candidly reveals that one friend referred to his journeys as “magical misery tours” whereas another nicknamed him “His Holiness” behind his back. Unafraid to introduce a broad range of perspectives to the memoir, the author admits that “making a meal is, after all, an imposition of your taste onto someone else.” He intelligently defends his position on feeding the poor, drawing on the French philosopher Jacques Derrida’s proposal that “charity is based on income inequity.” Henderson boldly dismisses this explanation as “a clever intellectual’s rationale for doing nothing.” The author draws courage from how his idol, Soyer, was also derided for his acts of charity but endeavored to make a change regardless. This book would benefit from a more determined effort to smoothly segue between chapters; it occasionally reads as a series of independent essays that do not fit together. But this detracts little from a graceful, well-balanced, and enlightening work.

An inspiring philanthropic account that deftly displays the author’s affability, knowledge, and passion.

Pub Date: April 7, 2020

ISBN: 978-1-63576-706-3

Page Count: 240

Publisher: Radius Book Group

Review Posted Online: May 7, 2020

Kirkus Reviews Issue: June 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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