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THE 24-HOUR SOUP KITCHEN

SOUL-STIRRING LESSONS IN GASTROPHILANTHROPY

An inspiring philanthropic account that deftly displays the author’s affability, knowledge, and passion.

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A New York–based journalist recounts his experiences in some of the world’s soup kitchens in this debut memoir.

Henderson was in France on a mission to buy an “absurdly expensive oven” when he was asked if he had ever come across the Frenchman Alexis Soyer, who became Victorian Britain’s most celebrated chef. Learning about Soyer, inventor of the soup kitchen, inspired the author to begin his own “gastrophilanthropic” journey. Interested in feeding large numbers of people but with no professional training, Henderson began utilizing his journalistic expeditions as a way of learning more. When visiting Delhi to write an article about India’s fashion week, he discovered that Sikh temples “operate 24-hour soup kitchens.” He later completed a five-day apprenticeship at one such kitchen. The author’s travels also took him to Iran, where he learned about nazr, a spiritual vow that can involve “voluntarily cooking for others.” Henderson then made his own vow to volunteer at a soup kitchen in Pittsburgh to celebrate each year that his niece completed in her Ph.D. program. The memoir details his experiences in Japan, where he stayed at a Buddhist temple; Mexico, where he cooked a meal for a group of “homeless street kids and transgendered sex workers”; Peru; Israel; and South Korea. The author also discusses volunteering at soup kitchens across America.

Henderson’s writing bubbles with enthusiasm. When describing feeding a group of seemingly nonchalant youths at a shelter in Los Angeles, he writes: “What I saw…over the next hour was how a home-cooked meal can transform a roomful of sullen teenagers into a group of cheerful children.” His narrative is also woven with a wealth of background data that underlines the gravity of the homelessness crisis: “It’s also estimated that there may be between one million and three million homeless children currently living on the streets in the United States.” The author’s delightful descriptive skills that often draw on culinary metaphors add a sprinkling of levity to a serious subject (a road in the Andes is depicted as having the “consistency of pudding” and an Israeli tour guide had “hair dyed a shade of red best described as ‘medium rare’ ”). Henderson is conscious of how his approach to “gastrophilanthropy” is viewed by others. He candidly reveals that one friend referred to his journeys as “magical misery tours” whereas another nicknamed him “His Holiness” behind his back. Unafraid to introduce a broad range of perspectives to the memoir, the author admits that “making a meal is, after all, an imposition of your taste onto someone else.” He intelligently defends his position on feeding the poor, drawing on the French philosopher Jacques Derrida’s proposal that “charity is based on income inequity.” Henderson boldly dismisses this explanation as “a clever intellectual’s rationale for doing nothing.” The author draws courage from how his idol, Soyer, was also derided for his acts of charity but endeavored to make a change regardless. This book would benefit from a more determined effort to smoothly segue between chapters; it occasionally reads as a series of independent essays that do not fit together. But this detracts little from a graceful, well-balanced, and enlightening work.

An inspiring philanthropic account that deftly displays the author’s affability, knowledge, and passion.

Pub Date: April 7, 2020

ISBN: 978-1-63576-706-3

Page Count: 240

Publisher: Radius Book Group

Review Posted Online: May 7, 2020

Kirkus Reviews Issue: June 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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