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AMERICAN GUNFIGHT

THE PLOT TO KILL HARRY TRUMAN--AND THE SHOOT-OUT THAT STOPPED IT

Those with patience for run-on sentences may enjoy this long footnote to history.

Journalists Hunter and Bainbridge reconstruct an attempt on Harry Truman’s life, an event that “was of course gigantic news—for about a week.”

The principal actors in the November 1950 attempt were two Puerto Rican nationalists, Oscar Collazo and Griselio Torresola, devotees of a lawyer-revolutionary named Pedro Albizu Campos. The extent of their connection to Campos was not known until long after the attack, yet the operative principle was simple: If any attempt were made on Campos’s life in Puerto Rico, then cells would activate in the U.S. and kill Truman. The witness may not have been entirely reliable, and in all events of the assassination effort, there was a certain amount of dumb luck: Truman was staying across the street from the White House, which was being renovated, a fact that a helpful cab driver had to point out to Collazo and Torresola; Collazo had few qualifications apart from a commitment to the cause; much of the attack was concocted on the spot. Yet Torresola was able to shoot several guards and get within ten yards of Truman before being taken down. It all makes for an intrinsically interesting story, but the authors tend to tell everything they can about any particular point of play, layering on incidental details about the lives of D.C. cops and expounding on the history and geography of Puerto Rico while drifting much too often into breathless Dragnet-speak: “The president is in the window he is thirty feet from Griselio who stands unnoticed at the stairway to Lee House the men on the other side haven’t noticed him yet he’s shot at three men and downed them all the president is thirty feet away and he has a straight line-of-sight picture to that window and there stands the president of the United States so he is very much in the kill zone.”

Those with patience for run-on sentences may enjoy this long footnote to history.

Pub Date: Nov. 1, 2005

ISBN: 0-7432-6068-6

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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