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EIGHT LITTLE PIGGIES

REFLECTIONS IN NATURAL HISTORY

Who could resist a title like that—and, knowing the author, who wouldn't surmise that Gould (Bully for Brontosaurus, 1991, etc.) is again up to his old trick of demonstrating that five fingers and five toes are not the primordial/canonical mammalian standard. Thanks to the discovery of species of ancient tetrapods (four- legged terrestrial vertebrates) living upwards of 350 million years ago, we now have evidence of seven- and eight-toed critters. So Gould sounds forth on a favorite theme of diversity and experimentation early in the course of evolution, with bushy branches off the tetrapod trunk and not ascent up a ladder that ends in humanity. And that's just the title essay, one of 31 Gould has distilled here from his monthly column in Natural History. He offers a reader's guide up front, explaining his clusterings of essays, advising that he has at last addressed the issue of species-destruction by human interventions (in poignant essays on the passenger pigeons and species of snails, which are to Gould what beetles were to Darwin), and, finally, telling dear reader which are his favorites—and why. Of the latter, he likes his people pieces and those essays in which the fossil evidence itself is used to illuminate the thinking of scientists within a cultural milieu. Gould points out that scientific discovery is never an act of pure reason nor totally culturally relative, but a marriage of the two. Elsewhere, there are wonderful essays on setting the record straight (Eugene Dubois and Java man); anatomy (how jaw bones became ear bones); essays with baseball references, on Darwin, on the brain, on evolution.... In sum, essays that reveal Gould in midlife, as passionate and articulate as ever, but older and wiser. Gould says the columns will continue through January 2001—for which readers everywhere should be grateful. (Drawings.)

Pub Date: Jan. 1, 1993

ISBN: 0-393-03416-X

Page Count: 507

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1992

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H IS FOR HAWK

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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  • New York Times Bestseller


  • National Book Critics Circle Finalist

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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HORIZON

Exemplary writing about the world and a welcome gift to readers.

Distinguished natural history writer and explorer Lopez (Outside, 2014, etc.) builds a winning memoir around books, voyages, and biological and anthropological observations.

“Traveling, despite the technological innovations that have brought cultural homogenization to much of the world, helps the curious and attentive itinerant understand how deep the notion goes that one place is never actually like another.” So writes the author, who has made a long career of visiting remote venues such as Antarctica, Greenland, and the lesser known of the Galápagos Islands. From these travels he has extracted truths about the world, such as the fact that places differ as widely as the people who live in them. Even when traveling with scientists from his own culture, Lopez finds differences of perception. On an Arctic island called Skraeling, for instance, he observes that if he and the biologists he is walking with were to encounter a grizzly feeding on a caribou, he would focus on the bear, the scientists on the whole gestalt of bear, caribou, environment; if a native of the place were along, the story would deepen beyond the immediate event, for those who possess Indigenous ways of knowledge, “unlike me…felt no immediate need to resolve it into meaning.” The author’s chapter on talismans—objects taken from his travels, such as “a fist-size piece of raven-black dolerite”—is among the best things he has written. But there are plentiful gems throughout the looping narrative, its episodes constructed from adventures over eight decades: trying to work out a bit of science as a teenager while huddled under the Ponte Vecchio after just having seen Botticelli’s Venus; admiring a swimmer as a septuagenarian while remembering the John Steinbeck whom he’d met as a schoolboy; gazing into the surf over many years’ worth of trips to Cape Foulweather, an Oregon headland named by Capt. James Cook, of whom he writes, achingly, “we no longer seem to be sailing in a time of fixed stars, of accurate chronometers, and of reliable routes.”

Exemplary writing about the world and a welcome gift to readers.

Pub Date: March 20, 2019

ISBN: 978-0-394-58582-6

Page Count: 592

Publisher: Knopf

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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