Kirkus Reviews QR Code
YOU ONLY CALL WHEN YOU'RE IN TROUBLE by Stephen McCauley

YOU ONLY CALL WHEN YOU'RE IN TROUBLE

by Stephen McCauley

Pub Date: Jan. 9th, 2024
ISBN: 9781250296795
Publisher: Henry Holt

Another chronicle of modern disappointments and their occasional consolations from a master of the modern social novel.

There are four main characters in McCauley's latest: Cecily, an academic embroiled in an investigation at her university; Tom, her gay architect uncle, also facing career trouble; Dorothy, Cecily's ditsy mom; and the town of Woodstock, in which Dorothy is about to open a retreat center with a self-help author, a rather horrible person, natch. McCauley's descriptive gifts shine in his evocations of Woodstock, where "almost every storefront along the main street was decorated with wind chimes, prayer flags, colorful pennants, or loose, billowing clothes for sale" and "in the middle of the tiny town green…was a drum circle and a group of gray-haired people in unstructured cotton pants doing what looked like interpretive dance." His story, in which Cecily and Tom make a pilgrimage to the opening of Dorothy's "more intimate, more affordable Omega Institute” and which revolves, per his usual, around secrets in the characters' lives, gives him plenty of opportunities to do what he does best, which is make pronouncements. "No one can do 'whatever they want to do,' and probably no one should," he plangently informs us. "When someone starts by telling you you can do 'whatever you want,' they end up forcing you to do what they tell you." That seems reasonable, but the author also delights in less defensible assertions. "Academia was the one institution it was always safe to insult, no matter what the political persuasion of the person you were talking to. Like capers, it was universally disliked." The emotional heart of the story is the profound devotion Tom feels for his niece, which at the opening of the book has caused his longtime partner to throw up his hands and move out. Even if we never quite believe this, and even if some other plotlines are also a little hokey, you don't have to care much about plot to enjoy a McCauley novel.

As the characters blunder about, the narrator is perfectly on his game.