Some riffs are off-key but this is an ambitious and original effort well worth checking out.

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THE ACE OF LIGHTNING

History as fiction, fiction as history.

In Sarajevo on June 28, 1914, 19-year-old Bosnian Serb Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife while they were sitting in their car. In this intriguing collection, Martin (Changing the Subject, 2010) gives us something musical—11 variations on a theme, the theme being Princip. It owes something to Donald Barthleme’s famous 24-part postmodernist story, “Robert Kennedy Saved from Drowning.” In this collection’s first story, “The Real Enemy,” we meet Princip living in Bosnia with his good friend Danilo Ilic. They are two of six radicalized young men anxious to offer themselves up for their country’s freedom. Danilo tries to talk him out of it but he’s unsuccessful. Princip pops up, in one way or another, in every story. It’s best to read them in sequence, wondering where he’ll turn up next, like a game of Where’s Waldo. At first, it’s odd to encounter him as a ghost appearing by someone’s bed or see him finding a cellphone and hearing conversations about himself or meeting a young woman in San Diego and going out for a sandwich with her. But a fictional rhythm is being created, and various literary leitmotifs are being used from story to story—mirrors, watches, the cryptic phrase “ace of lightning”—that help link them together. In the last story, "Sandwiches," we find Princip, despondent about having failed in his attempt to kill the duke, eating at a sandwich shop, talking with a girl about sex, when the duke’s car, now lost, pulls up in front. He has another chance: “He shoots twice.” It’s fascinating to see how successful Martin will be as he moves from one fictional riff to another, playing fiction off history and history off fiction in one humorous, absurd, and serious tale after another.

Some riffs are off-key but this is an ambitious and original effort well worth checking out.

Pub Date: March 7, 2017

ISBN: 978-1-57366-058-7

Page Count: 304

Publisher: FC2/Univ. of Alabama

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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