An absorbing coming-of-age quest tale with few female leaders.




In this debut fantasy adventure novel, a young man, an acolyte in a mystic tradition, embarks on a diplomatic mission that tests his calling.

While the citizens of the Archayan Republic have the gift of winged flight, they still use preindustrial technology. But two other realms, the United Crowns (the Union) and the Sovereign Crown, are reaping the benefits and problems of machinery. Their progress affects Archaya when the Sovereign Crown supplies a rebel faction, the Imperialists, with firearms. Harius, 16, is training as a Zehnarch in the Hamystic Faith, but struggles to feel connected with the Divine. Nevertheless, he’s chosen as steward of two ancient relics, the Key of Agency and the Sword Shazeera, which have the power to unlock the Ethereal Gates and usher in a new age. He must, says his grandfather and mentor, “learn the true art of prayer” to “wield the Celestial Flame,” which makes all things possible. With a party that includes his best friend, 17-year-old Jesrum, Harius is sent on a mission to negotiate a treaty between Archaya and the Union. The Union’s high king is willing, but in return, Harius and Jesrum must recover the monarch’s cousin, Niccolon, a gifted scientist kidnapped by the Sovereign Crown, and discover what’s happened to the ruler’s missing daughter, Princess Ellezandra. Recovering the two, and preventing disaster for Archaya, will require Harius to break through the barriers between himself and the Divine. Will his faith prevail? In his tale, Watts does some intriguing worldbuilding; for example, the technology divide, which creates social differences in standards of living, is a realistic conflict. The plot and the Hamystic faith bear some obvious resemblances to the Star Wars series and the Force, but the author skillfully handles both. Harius’ spiritual struggle with despair and apathy is believable and moving, and the action leads up to an exciting, tense final showdown. Disappointingly, women are almost absent from the story as decision-makers, with beautiful Ellezandra serving too obviously as a quest object/reward for Harius: “She stared at him with open admiration…which caused his heart to swell with ecstasy.” 

An absorbing coming-of-age quest tale with few female leaders.

Pub Date: May 22, 2018


Page Count: 226

Publisher: CreateSpace

Review Posted Online: May 20, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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