An absorbing coming-of-age quest tale with few female leaders.
In this debut fantasy adventure novel, a young man, an acolyte in a mystic tradition, embarks on a diplomatic mission that tests his calling.
While the citizens of the Archayan Republic have the gift of winged flight, they still use preindustrial technology. But two other realms, the United Crowns (the Union) and the Sovereign Crown, are reaping the benefits and problems of machinery. Their progress affects Archaya when the Sovereign Crown supplies a rebel faction, the Imperialists, with firearms. Harius, 16, is training as a Zehnarch in the Hamystic Faith, but struggles to feel connected with the Divine. Nevertheless, he’s chosen as steward of two ancient relics, the Key of Agency and the Sword Shazeera, which have the power to unlock the Ethereal Gates and usher in a new age. He must, says his grandfather and mentor, “learn the true art of prayer” to “wield the Celestial Flame,” which makes all things possible. With a party that includes his best friend, 17-year-old Jesrum, Harius is sent on a mission to negotiate a treaty between Archaya and the Union. The Union’s high king is willing, but in return, Harius and Jesrum must recover the monarch’s cousin, Niccolon, a gifted scientist kidnapped by the Sovereign Crown, and discover what’s happened to the ruler’s missing daughter, Princess Ellezandra. Recovering the two, and preventing disaster for Archaya, will require Harius to break through the barriers between himself and the Divine. Will his faith prevail? In his tale, Watts does some intriguing worldbuilding; for example, the technology divide, which creates social differences in standards of living, is a realistic conflict. The plot and the Hamystic faith bear some obvious resemblances to the Star Wars series and the Force, but the author skillfully handles both. Harius’ spiritual struggle with despair and apathy is believable and moving, and the action leads up to an exciting, tense final showdown. Disappointingly, women are almost absent from the story as decision-makers, with beautiful Ellezandra serving too obviously as a quest object/reward for Harius: “She stared at him with open admiration…which caused his heart to swell with ecstasy.”
An absorbing coming-of-age quest tale with few female leaders.Pub Date: May 22, 2018
ISBN: N/A
Page Count: 226
Publisher: CreateSpace
Review Posted Online: May 20, 2018
Review Program: Kirkus Indie
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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