With demand for STEM-themed books for toddlers at an all-time high, this will undoubtedly prove popular with both ends of...
The title sums it up: This mechanical man is a total wrecking machine.
Anything is fair game for the spherical hands that carry out this automaton’s single-minded mission—petunias, toilets, Brussels sprouts and (presumably included for adults) “All-talk radio.” At the culmination of his rampage, scores flash on the page, as in a video game. Solon’s designs are intentionally pixelated, so that nearly every shape has a zigzag contour, appropriate for his subject. The look lends energy and a sense of movement to the robot as he crashes his way against solid, changing background colors. He is accompanied by a spare—but bold and exclamatory—text. (Warning: Repeated readings may lead to an enthusiastic young listener’s first spoken or sight word being “SMASH!”) The protagonist’s life changes when he catches sight of a gigantic, purple robot destroying skyscrapers and automobiles. It is love at first sight for the twosome: Her thought bubble displays the proverbial baby carriage; his depicts a shared meal. Although the method that “Super-SMASHY girl robot” chooses to show affection gives new meaning to the term “crush,” the two appear to be made for each other. They definitely have a lot in common.
With demand for STEM-themed books for toddlers at an all-time high, this will undoubtedly prove popular with both ends of its intended audience. (Picture book. 2-5)Pub Date: April 15, 2015
ISBN: 978-1-77147-067-4
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Jan. 19, 2015
Kirkus Reviews Issue: Feb. 1, 2015
Skip it
This book wants to be feminist.
Princess Penelope Pineapple, illustrated as a white girl with dark hair and eyes, is the Amelia Bloomer of the Pineapple Kingdom. She has dresses, but she prefers to wear pants as she engages in myriad activities ranging from yoga to gardening, from piloting a plane to hosting a science fair. When it’s time for the Pineapple Ball, she imagines wearing a sparkly pants outfit, but she worries about Grand Lady Busyboots’ disapproval: “ ‘Pants have no place on a lady!’ she’d say. / ‘That’s how it has been, and that’s how it shall stay.’ ” In a moment of seeming dissonance between the text and art, Penny seems to resolve to wear pants, but then she shows up to the ball in a gown. This apparent contradiction is resolved when the family cat, Miss Fussywiggles, falls from the castle into the moat and Princess Penelope saves her—after stripping off her gown to reveal pink, flowered swimming trunks and a matching top. Impressed, Grand Lady Busyboots resolves that princesses can henceforth wear whatever they wish. While seeing a princess as savior rather than damsel in distress may still seem novel, it seems a stretch to cast pants-wearing as a broadly contested contemporary American feminist issue. Guthrie and Oppenheim’s unimaginative, singsong rhyme is matched in subtlety by Byrne’s bright illustrations.
Skip it . (Picture book. 3-5)Pub Date: Sept. 12, 2017
ISBN: 978-1-4197-2603-3
Page Count: 32
Publisher: Abrams
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
The joys of counting combine with pretty art and homage to Goodnight Moon.
This bedtime book offers simple rhymes, celebrates the numbers one through 10, and encourages the counting of objects.
Each double-page spread shows a different toddler-and-caregiver pair, with careful attention to different skin tones, hair types, genders, and eye shapes. The pastel palette and soft, rounded contours of people and things add to the sleepy litany of the poems, beginning with “Goodnight, one fork. / Goodnight, one spoon. / Goodnight, one bowl. / I’ll see you soon.” With each number comes a different part in a toddler’s evening routine, including dinner, putting away toys, bathtime, and a bedtime story. The white backgrounds of the pages help to emphasize the bold representations of the numbers in both written and numerical forms. Each spread gives multiple opportunities to practice counting to its particular number; for example, the page for “four” includes four bottles of shampoo and four inlaid dots on a stool—beyond the four objects mentioned in the accompanying rhyme. Each home’s décor, and the array and types of toys and accoutrements within, shows a decidedly upscale, Western milieu. This seems compatible with the patronizing author’s note to adults, which accuses “the media” of indoctrinating children with fear of math “in our country.” Regardless, this sweet treatment of numbers and counting may be good prophylaxis against math phobia.
The joys of counting combine with pretty art and homage to Goodnight Moon. (Picture book. 2-4)Pub Date: March 7, 2017
ISBN: 978-1-101-93378-7
Page Count: 40
Publisher: Crown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
