Suitable for fans of chaotic, surreal fiction.

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How My Dog Became the New Messiah

A STORY OF UNINTENDED CONSEQUENCES

The video of a Saint Bernard using a computer goes viral and brings a media circus to Peculiar, Missouri, in Wallace’s debut novel.

This story pokes fun at social media saturation, misplaced religious fervor, and the falseness of “reality” programming. Its narrator is retired doctor Ned Belton, who lives with his faithful canine companion, Samuel Langhorne “Clem” Clemens, as well as the memory of his beloved late wife, Mary. Every day, Ned walks to Brownie’s Cafe to meet three lifelong friends— Frank, Bill, and Skeeter—for a meal and a healthy dose of good-natured ribbing. Ned makes an off-the-cuff joke about his dog recommending an oil company’s stock, which is later misprinted in the newspaper. Skeeter uploads a video of Clem at a computer, which goes viral. When the oil stock skyrockets in price, the video captures the world’s attention and leads to the arrival of the novel’s two frightening antagonists: mentally unstable Securities and Exchange Commission Special Agent Norman McStone, who believes that Ned is guilty of insider training, and charismatic cult leader Father Jones, whose scandalous behavior includes sexual depravity and drug trafficking. As Bill remarks: “Ned, you are at the vortex of the confluence of a psychotic and a sociopath.” Wallace successfully conveys the sense of a small town under siege, and readers will feel the crush of the seemingly endless influx of obnoxious outsiders. Hysteria mounts as Father Jones whips his flock into a frenzy of worship centered on Clem: “An old woman started speaking in her version of tongues. She sounded like a Frenchman in a porno movie.” Ned’s friends spring into action and come to his assistance, devising an intricate plan to protect Clem from his followers, who, after all, are interfering with the hard-earned, if routine, pleasures of Ned’s retirement. Readers may be let down when the truth behind the viral video is finally revealed. Nevertheless, Wallace ends the novel with a nice touch, as a character that’s notably absent throughout the text appears at last to join the party of four at Brownie’s Cafe.

Suitable for fans of chaotic, surreal fiction.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Nov. 10, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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