A concise, useful examination of a novel that, at its heart, is a “wise and merciful book” about the love of teaching.
Literary criticism/memoir regarding an overlooked American novel.
In the latest volume in the publisher’s Bookmarked series, Almond (Bad Stories: What the Hell Just Happened to Our Country, 2018, etc.) delivers an energetic discussion of Stoner, the 1965 novel by John Williams (1922-1994), who won a National Book Award for Augustus (1972). The Bookmarked series encourages authors to personally engage with the works they are championing, and Almond delves into personal failures and accomplishments as well as relationships with family, friends, and students, all through the prism of Stoner. Though some readers may find this approach disruptive, it results in a sensitive and perceptive reading of a novel Almond first read when he was a struggling 28-year-old writer. He has since read it innumerable times, each time learning more about the novel and himself. Stoner, which has been reissued a few times, is a quiet, reflective tale that recounts the life of a rural farm boy who becomes an English professor, husband, and father. Almond offers this “peculiar pint-sized ode” to a novel that has become for him a manual for “living.” A “literary novel” that is also “subversive,” Stoner “casts a piercing light upon the worship of power and wealth that has corroded our national spirit.” Almond loves how it “captures with unbearable fidelity the moments of internal tumult that mark every human life.” At times, he gets “furious” with William Stoner the “perfect martyr,” the “hardcore masochist.” He discusses the novel’s “unrelieved narration,” or “plain style,” as Williams described it, and its portrayal of a wrecked marriage, the nasty world of academic in-fighting, and the challenges of child-rearing. Almond argues that Stoner is both an anti-war novel and, with its detailed portrait of the “collision of poverty and privilege,” a “radical social novel.”
A concise, useful examination of a novel that, at its heart, is a “wise and merciful book” about the love of teaching.Pub Date: June 18, 2019
ISBN: 978-1-63246-087-5
Page Count: 168
Publisher: Ig Publishing
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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