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LOST KIN

Classic noir shadowed by the hulks and rubble of the once-proud city of Munich, a character itself in this haunting tale.

From occupied Germany in 1946, Anderson (Liberated, 2014) draws a dark tale of brothers, each struggling with a moral dilemma, who become caught up in deadly international machinations.

U.S. Army Capt. Harry Kaspar, assigned to Munich’s Regional Military Government, has a secret: he killed a deserter. Masquerading as an American colonel, the thief had pirated riches plundered from murdered Jews. There’s another secret: Max, Harry’s missing brother, has been in Germany since before the war. Was Max a Nazi? Then Irina, a tattered, starving refugee, shows up with word of Max. Harry is swept into a maelstrom of intrigue and violence, its catalyst Stalin’s demand that Eastern Europeans in West Germany be shipped to Soviet territories. Those trips terminate in the gulag or execution. Anderson deserves a standing ovation for his gritty sketch of postwar, rubble-laden Munich as an ominous, near-anarchic theater of the absurd. Harry learns that Max, once caught up in false-flag Nazi operations, seeks penance by finding refuge for Irina’s clan of Ukrainian Cossacks—but some Cossacks had fought for the Nazis. Harry and Max are empathetic protagonists, but even Anderson’s minor characters earn the spotlight: Maddy, Harry’s social-climbing paramour; Dietz, a beaten-down German policeman too willing to help; Maj. Joyner, a by-the-book tough guy whose son was killed in action, leaving him hating every German; Aubrey Slaipe, a spook lurking deep in the Occupation’s bureaucracy; and mysterious Sabine Lieser, once a Nazi target because of her youthful socialist allegiances, who now runs a displaced persons camp. There’s enough action and mystery to keep the pages turning—traitors done in by a shashka, a Ukrainian sword; a dramatic face-off in Czechoslovakia’s snowy Šumava Mountains—all spun out in a masterful story of redemption found within the brutalities of postwar realpolitik.

Classic noir shadowed by the hulks and rubble of the once-proud city of Munich, a character itself in this haunting tale.

Pub Date: March 29, 2016

ISBN: 978-1-63158-081-9

Page Count: 328

Publisher: Yucca/Skyhorse

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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NINTH HOUSE

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...

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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.

Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.

With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-31307-2

Page Count: 448

Publisher: Flatiron Books

Review Posted Online: June 30, 2019

Kirkus Reviews Issue: July 15, 2019

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